Powers of the Actor
Dramatic Structure
Types of Stages
Theatre Etiquette
3 X THEATRE
Fake It Till you Make It
100

It's the real power of the voice, without this you're dead.

Breath

100

The high point of the action in a play.

It's a steep climb, but Max finally figured out a way to make it to the top.

Climax 

100

On the stage just picture this.

Procenium

100

If you must leave during the play the best time to do this is

During a scene change.

100

Not the place, not watching and you don't have theatre without it.

Actor

100

Another word for genuine or true.

Authentic

200

Loudness or softness of the voice.

Volume

200

In the beginning or:

X-Men are in this position at this point in their stories.

Exposition 

200

Soaked or scared there's no place to go but everywhere.

Immersive Theatre

200

Because of copyright protections it is NOT ok to do this.

Video or photography.

200

The most expressive power.

Voice

200

Just say it is the key to "fake it till you make it".

Yes

300

If you've got guts, this stands between your heart (and lungs)

Diaphragm 

300

Can't get any higher so this happens after 

Falling Action

300

The audience would say "glad he ate her" if they allowed women to perform on this stage.

Arena Theatre

300

We don't do this in the class and we don't do this in the auditorium.

Eat or drink.

300

Without this goal the actor doesn't want anything.

Objective

300

The attitude of moving forward in an improv even when you say no.

Affirmative 

400

Say it with feeling means manipulating if you say so. Can change the meaning of a sentence.

Inflection 

400

The end of it or:

Da Boyz wrapped it up before noon and meant to keep it that way.

Denouement

400

Flexible stage and seating, think inside of this to perform the play.

Black Box Theatre

400

Being this and not later makes for a better experience for everyone.

On time

400

Without this the actor has no place to go.

Area

400

Puts you in the moment and supports your partner

Listening 

500

Don't say a word if you act this way.  Body only acting!

Pantomime 

500

A triangle looking diagram of dramatic structure or:

How afraihe was to play tag around this in Egypt.

Frey Tag's Pyramid

500

DAILY DOUBLE!

A haunted house

Immersive 

500

All for one and one for all is working together.

Ensemble

500

In the house, this thing is why the actor acts on stage.

Audience

500

An ensemble does this to have a successful improv or whenever you need to get the job done.

Collaboration 

600

Batter up! 

Opening day sees this but with the voice it's either high or low.

Pitch

600

Right after the beginning, keeps getting higher and higher.

Rising action

600

Type of stage models walk down or you might see at church.  Audience on 3 sides

Thrust Stage

600

During this time it is best to stretch your legs and go to the restroom before seeing the 2nd act.

Intermission 

600

Master of the all, this power makes everything happen.

Mind

600

If you over do this you're done. Relates specifically to the 3rd power of the actor

Thinking

700

This type of body language looks like peace in the US but in Europe it might start a fight.

Gesture

700

Greek philosopher wrote the book on how to write a book or better yet, how a story is told.

Aristotle

700

The type of stage we have here at ridge.

Proscenium

700

Not allowed in the classroom, and at the very least should be silent during the play.

Cellphone 

700

The "why" or the desire to make it happen.

Motivation

700

You do this everyday without a script.  Talking to friends, arguing, and on stage.

Improv

800

DAILY DOUBLE

Lips, Teeth & Tongue 

Articulators

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