Amazing Staging
Who's Who
Plays for Days
Society Scramble
Coming to Terms
100

This participatory commemorative drama for mass audiences culminates in the burning of an effigy  

Ramnagar Ramlila 

100

His writing is prescriptive in Ars Poetica, bonus points for his rules

Horace; 5 act structure, drama should entertain and educate at the same time, styles and genre should not mix, characters need to be recognizable 

100

The type of play where a chorus / title are objects or animals 

Greek comedies 

100

Funded medieval European theatre in alignment with themselves

Trade Guilds

100

The process of writing about history 

What is Historiography?

200

The bridge on a Noh Stage

What is hashigakari

200

A few of this Roman's surviving plays were saved and recited by this woman of the church in Saxony

Terence, Hrotsvitha of Gandersheim 

200

Performances that releases constraints of religious and civil propriety; the mingling of the sacred with the profane

Carnival / Carnivalesque 

200

Two religions that shaped the plots and themes of ancient Japanese drama

Shinto and Buddhism 

200

Two prevalent devices of early oral cultures (and further) that provided the foundation for drama and theatre

Ritual & Storytelling

300

Where violent displays of spectacle were played out in ancient Rome

Amphitheaters, Circuses, Marketplace 

300

His two most important aesthetics were monomane and yūgen (bonus for defining these)

Who is Zeami? (imitation of character / deep quiet beauty tinged with sadness)

300

This drama commemorates a story of triumph over religious persecution in the Book of Esther 

Purim Shpil 

300

These two terms represent the type of behavior expected from ancient Roman males (name and define them)

Pietas (respect for elders, loyalty, devotion) and Gravitas (dignity, seriousness)

300

An audience purged or cleansed from negative emotions displayed in a tragedy

What is Catharsis?

400

Originally performed outdoors at a crossroads, this commemorative mourning ritual would go on to be held in the round on a central platform

The Ta'ziyeh

400

The "father of tragedy"

Aeschylus, expanded number of characters and conflict 

400

This play expresses the classic Buddhist concept of nondualism: opposites are equivalents; enemies indeed are friends.

Zeami's Atsumori 

400

These two epics are sacred to Hinduism began as narrated but now have various written versions 

Mahabharata and Ramayana

400

The encyclopedic work of all aspects of Sanskrit drama

What is the Natyasastra 

500

two types of theatre we've covered that can be described as performed in "shrines"

Sanskrit drama and Noh

500

Japanese performance is said to originate in the shocking dance of the this goddess, a female Shinto deity.

Uzume 

500

This play centers on class structure, romance, and politics

The Little Clay Cart by Shudraka 

500

The concept that "nothing has meaning in drama except through rasa"

Rasa-bhava aesthetic theory (taste/state of being), the audience’s experience of the various states or moods arising from the actor’s embodiment of the character

                                   


    

500

Stage assistants in Noh dramas

Kōken

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