Misc. Headings
Mistakes
Director's Briefcase
100
A complete performance of the play. These should be kept to a minimum before tech week to avoid becoming stale.
What is a run-through?
100
This is crucial. When it becomes repetitive or not directly related to the text, you're wasting precious time.
What is over-talking/talking?
100
You should possess two copies of this, each labeled with your name, address, and phone number. It should have a non-tear binding and hole rings, or you'll lose your pages!
What is the script?
200
It can be critical in getting the best performance out of your actors. While it is time consuming, the fresh look can provide just what your play needs. Often, actors will agree that it is necessary, though it may take some persuasion.
What is re-blocking?
200
It is a delivery system for meaning, and not an end itself. There needs to be variance, even in a single speech.
What is over-pacing/pacing?
200
You should have one for everyone in the production, and not wait for the second week to obtain them. In today's world, they may be supplemented by e-mail and Facebook, but are still an important piece of information!
What are phone numbers?
300
When the actors truly understand how their acting will be affected by the space they are in and can adjust accordingly, they may be ready for this.
What is playing at performance level?
300
It is unproductive and destructive to the atmosphere. Actors can tell you're insecure.
What is picking on actors?
300
This should include moments with the actors, not just scene numbers.
What is a list of things you want to do in a rehearsal/today?
400
A series of lines where neither party wants to allow the other to have the last word. Writers often include these in their work, however directors constantly miss them. Pointing these out to actors and rehearsing them can increase their impact.
What is the build?
400
Destructive to rehearsal and the play in general. The cannot control it, the director must.
What is paying no attention to rhythm/rhythm?
400
Two essential items for rehearsal and the Director's Briefcase.
What are sharpened pencils and a dozen of your favorite pens?
500
The rate at which given material can be revealed, understood, and command the audience's attention. Jon Jory claims he could write an entire book on this tip.
What is pace?
500
One of the biggest mistakes you can make. You should always strive for the opposite.
What is being late a lot?
500
This should always be turned of during rehearsal and is sure to get Jon Jory going!
What is a cell phone?
M
e
n
u