LISTENING 1
WHAT CADENCE IS BEING
PLAYED?
PAC
WHAT TYPE OF NON-CHORD TONE IS PLAYED AT THE END OF THE WORK?
WHAT IS THE DIFFERENCE BETWEEN A SIMPLE AND COMPOUND METER?
WHAT IS A PHRASE?
GROUP OF NOTES AND PITCHES, USUALLY FOUR MEASURES AND ENDS WITH A CADENCE
What should you have on your paper when doing harmonic dictation? 2 THINGS
CHORD STAX IN SOLFEGE
HARMONIC DIAGRAM
TRUE OR FALSE
SECONDARY DOMINANCE DON'T HAVE TENDENCY TONES SO NO NEED TO RESOLVE
FALSE, THEY DO HAVE TENDENCY TONES.
EX. IF YOU ARE DOING A V7/ii IN G MINOR
WHAT TYPE OF PERIOD IS BEING PLAYED?
PARALLEL
WHAT NON-CHORD TONE IS BEING PLAYED?
WHAT DOES A ESCAPE TONE DO?
STEP AND LEAP IN OPPOSITE DIRECTION
1. PAC
2. IAC
3. PC
4. DC
5. HC
WHEN DOING FOUR PART WRITING USING ROMAN NUMERALS OR FIGURED BASS, WHAT SHOULD BE ON YOUR PAPER?
3 THINGS
1. CHORD STAX
2. TENDENCY TONES
3. CHORD STAX UNDER EACH ROMAN NUMERAL
WHEN DOING FRQ 7, THE BASSLINE WRITING. WHAT ARE THE STEPS??
5 STEPS
1. CHORD STAX AND HARMONIC DIAGRAM MUST BE WRITTEN
2. UNDER EACH FERMATA MUST HAVE OPTIONS, AND IT MUST END ON A CADENCE.
3. UNDER EACH SOPRANO NOTE, WRITE ALL THE OPTIONS OF CHORD NUMERALS
4. WRITE UNDER THE BASS STAFF THE CHORD NUMERALS
5. WRITE NOTES IN BASS LINE
WHAT TYPE OF PERIOD IS BEING PLAYED?
CONTRASTING
IS THIS A SENTENCE?
YES
WHAT IS A SUSPENSION AND A RETARDATION?
WHAT DOES ANTECEDENT AND CONSEQUENT MEAN?
WHAT ARE THE STEPS TO VOICE LEADING WITH FIGURED BASS?
1. REALIZE THE FIGURED BASS WITH ROMAN NUMERALS WITH INVERSIONS (MATCH WITH CHORD STAX)
2. WRITE CHORD STAX UNDER EACH ROMAN NUMERAL
3. ADD ALL PITCHES
WHY ARE PARALLEL OCTAVES AND FIFTHS BAD IN VOICE LEADING?
WHAT IS THE MOTION THE MELODY IS MOVING IN?
STEP WISE
M7
WHAT DOES A V,V7,vii0, AND viiO7 CONTAIN TO MAKE IT TENSE?
WHY DO THEY HAVE TO GO TO THE I CHORD?
WHY CAN A DOMINANT FUNCTION CHORD GO TO A vi CHORD?
V CHORD CONTAINS THE LEADING TONE
V7, vii0: CONTAIN A TRITONE (4 AND 7)
THESE TENDENCY TONES MUST RESOLVE TO THE I CHORD.
IT CONTAINS THE TONIC AND THE THIRD OF THE I CHORD
DEFINE TEMPORARY TONICIZATION
WHAT IS AN EXAMPLE OF IT?
MOVING TO ANOTHER KEY FOR A MOMENT
SECONDARY DOMINANCE
HOW SHOULD YOU RESOLVE A viiO CHORD
USE THE KEY OF D MAJOR
BOTH USE THE TENDENCY TONES;
4-3 AND 7-1
SO C# GOES TO D AND G GOES TO F#
WHAT IS THE TEXTURE OF THIS EXCERPT OF MUSIC?
MELODY AND ACCOMPANIMENT
TRIADS:
MAJOR, MINOR, AUGMENTED, DIM
SEVETH:MAJ, MIN, DOM, HALF DIM, DIM7
DOES THIS PROGRESSION HAVE A SECONDARY DOMINANCE? WHICH CHORD WAS IT?
WHAT IS A PERIOD?
WHAT DOES CONTRASTING PERIODS AND PARALLEL PERIODS DO?
PERIODS ARE TWO PHRASES:
IF THEY BOTH START DIFFERENTLY IT IS CONTRASTING BUT IF THEY BOTH START THE SAME THEY ARE PARALLEL
WHAT DO THESE FIGURED BASS SYMBOLS INDICATE?
#
#6
6/5
4-3
#=third is raised
#6= 1st inversion chord or sixth note from the bass is raised
6/5: 1st inv, of a seventh chord
4-3: suspension
WHAT ARE THE STEPS TO DOING HARMONIC DICTATION?
4 STEPS
1. LISTEN TO BASS
2. LISTEN TO SOPRANO
3. QUALITY
4. EDUCATED GUESS USING HARMONIC DIAGRAM
DEFINE THESE RHYTHMIC TERMS
POLYRHYTHM
METER
SYNCOPATION
HEMIOLA
ANACRUSIS
POLYRHYTHM: ODD AND EVEN GROUPING AGAINST EACH OTHER
METER: GROUPINGS OF NOTE
SYNCOPATION: OFF THE BEAT
HEMIOLA: 2 AGAINST 3 OR VICE VERSA
ANACRUSIS: PICK-UP