Elements of Plot
Figurative Language
Style
Other
100

the introduction of a story or book, when the characters and setting are first described

Exposition

100

a figure of speech that makes a comparison, showing similarities between two different things using the words “like” or “as.”

Simile 

100

the writer's attitude toward the subject matter or audience of a literary work

Tone

100

the principal opponent or foil of the main character, who is referred to as the protagonist, in a drama or narrative

Antagonist

200

the point in the narrative where the tension, excitement, or stakes reach the highest level. It is often the conclusion of a story's main conflict and sets up for either a successful resolution or an unsatisfying ending

Climax

200

a comparison between two things that are otherwise unrelated

Metaphor

200

the emotional response that the writer wishes to evoke in the reader through a story

Mood

200

 the character who drives the action--the character whose fate matters most

Protagonist

300

the action that occurs immediately after the big climax has taken place and the action shifts towards resolution instead of escalation

Falling Action

300

something that stands for or suggests something else

Symbolism

300

 expressed directly and indirectly through physical descriptions, dialogue, characters' inner thoughts, and actions

Characterization

300

one who tells a story

Narrator

400

an event that occurs, in relation to your protagonist, near to the beginning of your story, which sets that story moving in a different direction

Inciting Incident

400

an audience's awareness of the situation in which a work's characters exist differs substantially from that of the characters'

Dramatic Irony

400

a literary device used in poetry, novels, and other writing that uses vivid description that appeals to a readers' senses to create an image or idea in their head

Imagery

400

the time, place, and environment in which a story occurs

Setting

500

a related series of incidents in a literary plot that build toward the point of greatest interest

Rising Action

500

 when incongruity appears between expectations of something to happen, and what actually happens instead

Situational Irony

500

a struggle between two opposing forces

Conflict

500

language that's carefully constructed to persuade, motivate, or inform the reader or listener about the speaker or writer's position

Rhetoric

M
e
n
u