Tennyson
Barrett-Browning
Hardy
Piranesi
100

How does The Lady of Shalott see the world?

Through a mirror

100

Who wrote sonnet 43 "How do I Love Thee..."?

Elizabeth Barret Browning

100

What does the thrush represent in “The Darkling Thrush”?

Hope

100

What narrative technique is used in Piranesi? 

Written as journal entries

200

What respected position was held by Tennyson during the Victorian Period?

Poet Laureate 

200

Who was Flush?

Elizabeth Barret Brownings' dog

200

Who are the two speakers in “The Ruined Maid”?

Amelia and an old friend

200

What system does Piranesi use to order the years?

By important events that happen that year. 

300

What is the curse of The Lady of Shalott?

She must continuously work on her weaving. 

300

"How do I Love Thee" is what type of sonnet?

Italian or Petrarchan 

300

“Blast-Beruffled plume” in “The Darkling Thrush” is an example of?

Alliteration

300

Who is Valentine Ketterly?

The Other, the one who imprisoned Piranesi in the house. 

400

What is the catalyst for The Lady of Shalott to set her curse in motion?

She sees Lancelot 
400

The line "Loving friend, who from my side/ Hast watched me in my sickness" highlights Flush as what kind of companion? 

Loyal

400

What corpse is being referred to in Hardy’s “The Darkling Thrush”?

The corpse of the 19th century 

400

What was Piranesi's name before he entered the house?

Matthew Rose Sorenson

500

When the Lady says "I am half sick of shadows" she shows that she is growing frustrated with what?

The indirect way in which she is forced to experience the world.

500

In sonnet 43 when Elizabeth Barrett Browning says "I love thee to the depth and breadth and height/My soul can reach" she suggests that her love has what quality?

Boundless or immeasurable love

500

Thomas Hardy means for readers to interpret "The Ruined Maid" as what kind of literature?

Satire

500

How does Piranesi treat the dead bodies he found in the house?

He brings them offerings, talks to them.  He treats them with respect. 

M
e
n
u