A's-B's
C's
C's
D's
E's
100

Acting areas

Center stage, downstage, stage left, stage right, and upstage

100

climax

The point of highest dramatic tension or a major turning point in the action

100

context

The interrelated conditions in which a play exists or occurs. 

100

dialogue

the conversation between actors on stage

100

electronic media

Means of communication characterized by the use of technology.

200

Antagonist

Antagonist

A persons, a situation, or the protagonist's own inner conflict in opposition to his or her goals.

200

character

the personality or part an actor recreates

200

costume

An clothing worn by an actor on stage during a performance. 

200

dramatic structure 

the special literary style in which plays are written

200

Elizabethan theatre

the theatre of England during the reign of Queen Elizabeth I and often extended to the close of the theatres in 1640.

300

Articulation

The clear and precise pronunciation of words

300

characterization

The development and portrayal of a personality through thought, action, dialogue, costuming, and makeup. 

300

crisis

A decisive point in the plot of a play on which the outcome of the remaining actions depends. 

300

dramaturg

A person who provides specific in-depth knowledge and literary resources to  director, producer, theatre company, or even the audience. 

300

Ensemble 

A group of theatrical artists working together to create a theatrical production.

400

Actor's position

the orientation of the actor to the audiance

400

Catharsis

The purification or purgation of the emotions (as pity and fear) caused in a tragedy. 

400
cue

A signal, either verbal or physical, that indicates something else, such as a line of dialogue or an entrance, is to happen. 

400

diction

The pronunciation of words, the choice of words, and the manner in which a person expresses himself or herself.

400

Epic theatre

theatrical movement of the early 1920s and 1930 characterized by the use of such artificial devices as cartoons, posters and film sequences distancing the audience from theatrical illusion and allowing focus on the pay's message. 

500

Blocking

the planning and working out of the movements of actors on stage

500

cold reading

A reading of a script done by actors who have not previously reviewed the play. 

500

critique

Opinions and comments based on predetermined criteria that may be used for self-evalution or the evaluation of the actors or the production itself. 

500

denouement design

The final resolution of the conflict in a plot.

500

Exposition

Detailed information revealing the facts of a plot. 

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