Mystery Pick 1
Mystery Pick 2
Mystery Pick 3
Mystery Pick 4
Mystery Pick 5
100

Which of the following is NOT a string instrument?
a) Violin
b) Trumpet
c) Cello
d) Viola

b) Trumpet

100
  1. Which term describes a gradually increasing tempo?
    a) Diminuendo
    b) Accelerando
    c) Ritardando
    d) Staccato

b) Accelerando

100
  1. An ‘ostinato’ is:
    a) A repeated melodic phrase
    b) A sudden loud sound
    c) A style of singing without words
    d) A type of scale

a) A repeated melodic phrase

100
  1. The term ‘timbre’ refers to:
    a) The speed of the music
    b) The tone colour or quality of a sound
    c) The loudness of the music
    d) The structure of the composition

b) The tone colour or quality of a sound

100
  1. Which of the following is an example of a texture in music?
    a) Monophonic
    b) Accelerando
    c) Forte
    d) Cadenza

a) Monophonic

200
  1. A ‘legato’ passage is played:
    a) Smoothly and connected
    b) Sharp and detached
    c) Loud and strong
    d) Slowly and quietly

a) Smoothly and connected

200
  1. The term ‘syncopation’ means:
    a) Emphasis on the weak beat or off-beat
    b) Playing all notes evenly
    c) A sudden pause
    d) Gradually getting louder

a) Emphasis on the weak beat or off-beat

200
  1. In notations, ‘pp’ stands for:
    a) Very loud
    b) Very soft
    c) Medium loud
    d) Sudden stop

b) Very soft

200
  1. What does ‘forte’ indicate?
    a) Slowly
    b) Loud
    c) Soft
    d) Smoothly

b) Loud

200
  1. The ‘bridge’ in a song is:
    a) A repetitive chorus
    b) A contrasting section connecting other parts
    c) The introduction
    d) The ending

b) A contrasting section connecting other parts

300
  1. ‘Cadence’ in music generally indicates:
    a) A type of rhythm
    b) A melodic motif
    c) The ending of a phrase or section
    d) A performance technique

c) The ending of a phrase or section

300
  1. Which term refers to the overall structure of a musical piece?
    a) Form
    b) Dynamics
    c) Texture
    d) Tempo

a) Form

300
  1. ‘Polyphony’ means:
    a) A single melodic line
    b) Multiple independent melodic lines played simultaneously
    c) A repeated rhythm
    d) A gradual increase in tempo

b) Multiple independent melodic lines played simultaneously

300
  1. What is a ‘melisma’ in music?
    a) A single note sung continuously
    b) Multiple notes sung to one syllable
    c) A repeated rhythmic pattern
    d) A type of musical form

b) Multiple notes sung to one syllable

300
  1. ‘Diminuendo’ means:
    a) Gradually louder
    b) Gradually softer
    c) Suddenly louder
    d) Suddenly slower

b) Gradually softer

400
  1. A ‘rondo’ form typically consists of:
    a) One repeated melody only
    b) A recurring main theme alternating with different sections
    c) Random arrangement of musical ideas
    d) A slow introduction

b) A recurring main theme alternating with different sections

400
  1. ‘Call and response’ is:
    a) A musical conversation between two parts
    b) A type of scale
    c) A performance direction
    d) A tempo change

a) A musical conversation between two parts

400
  1. The term ‘accent’ refers to:
    a) Playing a note louder or with emphasis
    b) The speed of a passage
    c) The tone quality
    d) The structure of the music

a) Playing a note louder or with emphasis

400
  1. Which element is NOT part of music?
    a) Pitch
    b) Rhythm
    c) Colour
    d) Texture

c) Colour

400
  1. What does ‘a cappella’ mean?
    a) Instruments only
    b) Voices singing without instruments
    c) Fast tempo
    d) Soft dynamics

b) Voices singing without instruments

500
  1. Identify the instrumental layer performing the melody in the first 16 bars.

Electric Guitar (with chorus effect)

500
  1. Describe the texture of the music during the chorus section.

Homophonic with the vocals performing the melodic layer, the electric guitar supporting it with the harmonic layer playing chords, the bass guitar laying the foundation of the harmony with the bass layer, and the rhythmic layer performed by the drums

500
  1. At what bar number does the ostinato pattern start?

The rhythmic muted guitar pattern of quaver pairs with a crotchet rest before it ( x |_| x |_|) happens at bar 33 (after 2 x 16 bar phrases in the introduction)

500
  1. Which instrument is using the pizzicato technique in the second verse?

The electric guitar that was performing the melody in the introduction continues its pizzicato or plucked melodic idea throughout the second verse.

500
  1. What effect does the use of vibrato on the lead guitar create in the climax?

The lead guitar performs a solo at the climax of the song, featuring long sustained notes with lots of vibrato. The use of vibrato creates a focal point to the melody and allows the listener to enjoy the tone of the guitar as well as allowing a pause or breath in between phrases.

600
  1. When does the dynamic change from piano to forte occur?

The music suddenly changes dynamics, along with tone and instrumentation, in the second half of each verse, first occurring after 8 bars of the first verse.

600
  1. Identify the vocal technique used on the word “unforeseeable” in the fourth line of the verse.

The word 'unforeseeable' is performed with more rhythmic freedom for expressive effect. This is known as rubato.

600
  1. Which instrument introduces the syncopated rhythm?


The introduction of the acoustic guitar uses a mainly straight rhythm of quavers and semiquaver pairs, and is then contrasted with syncopation with the introduction of the vocals right from the first word, 'Sun-shine', where the second syllable is delayed until in-between the second and third beats. 

600
  1. How is tone colour manipulated in the bridge section?

There is a stark contrast of tone colour that occurs in this section between the light acoustic guitar playing a series of broken chords to accompany the delicate female vocal melody, and the opposing distorted electric guitar sound with a big wall of power chords that support a more powerful vocal delivery by the lead singer. 

600
  1. Why might the composer have used a sudden fermata during the coda?

At the end of the song, or the coda, the fermata, or pause, allows for the music to fade from its high intensity sound at the end, helping the listener to ease back into a state of calm.

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