Who By?
Period
What is it?
Who For?
Purpose
100

Where Do We Come From?

Gauguin

100

Renoir, Oarsmen at Chatou

Realism: Impressionism

100

Van Gogh, Olive Trees

Intensity of emotions

manic painting

100

DeKooning, Woman 1

DeKooning

100

Renoir, Oarsmen at Chatou

???

200

Fountain

Duchamp

200

Mondrian, Composition with Red, Yellow, and Blue

Modernism, Formalism

200

Caillebotte, Paris, Rainy Day

New Paris, Man is the upper class

about good and bad

city of strangers

the world we live in

200

Monet, Railroad Bridge

French Public

200

O'Keefe, Road Past the View

Get to a deeper truth

300

Ma Jolie

Picasso

300

Seurat, The Grand Jatte

Modernism

300

Lichtenstein, Masterpiece

Brad is Lichtenstein's ideal self

Playing on fantasy to be famous with a hot blonde

300

Constable, The Cornfield

British Public

300

Warhol, Elvis I and II

Celebration of gay desire and apprecation

400

Burghes of Callais

Rodin

400

Motherwell, Sacred Spring

Modernism: Assemblage

400

Picasso, Ma Jolie

Studio painting, stablity, a grid, built from light and shade

chaos=order

uses fragments from the still life

400

Warhol, Elvis I and II

Gay Audience

400

Constable, The Cornfield

Rebel Industrialism

500

Sacred Spring

Motherwell

500

Rodin, Burghers of Callais

Romanticism

500

Rodin, Burghers of Callais

Leaders sent out to death

Wife asks Eddie to spare

Very expressive

500

Brancusi, The Kiss

The Public

500

Motherwell, Sacred Spring

Aesthetics