Dates and Events
Commercialism and the Market
People in Cinema
Films, Genres and Techniques
Innovation
100

By this time, the French cinema was awash with stories of virtuous wives, domineering husbands, unscrupulous blackmailers, children falsely accused of heinous crimes, and so on.

What is the end of the 1920’s?

100

What wasn’t featured in a film to encourage people to see it?

Social and political issues

100

This American director extensively explored the montage tradition.

D.W. Griffith

100

Dulac’s best known film that tells the story of a “bored, petty bourgeois wife.”

What is The Smiling Mme. Beudet?

100

Which genre was commercially significant exerted on the industry’s tendency to repeat itself?

Historical Drama

200

At the end of the war, Renoir did (or did not do..) this

What is he did not immediately rush into filmmaking?

200

Turning your ordinary feature film into a high demand National Event required what?

A plot based on a well-known historical figure. (Joan of Arc, Napoleon)

200

In 1924, he made his only film (a modernist work) in collaboration with this filmmaker.

Who is Fernand Léger and Dudley Murphy (Ballet Mécanique)?

200

Cycles of repetition and variation in films.

What are Genres?

200

Renoir’s disaster with Nana pushed him to create what two types of films?

Mainstream commercial on one hand and ciné-club on the other

300

French cinema of the 1920’s was remarkably this.

What is diverse?

300

How did filmmakers view the recent victory over Germany, though costly in lives?

Positive, because France’s triumph and the new subject matter to create and sell movies on.

300

Not of long duration with possibilities of being quickly exhausted were Pre-war features of who?

Léonce Perret

300

The orientation of a film where the change of an image appears as a kind of natural response to the fiction.

What is découpage classique? (Classical scene construction)

300

In the mid 1920s the French struggled to develop this genre.

What is film comedy?

400

The year 1923 marked another important beginning with this.

A number of highly visible programs of short artistic films, mainly excerpts from commercial features?

400

What damaged France’s power as top film producer?

The collapse of it’s vertically integrated film industry

400

Orson Welles’ early films established what?

The respect for the integrity of the shot in the celebrated long takes.

400

The “monster hit” of exotic costume drama.

What is L’Atlantide (Feyder, 1921)?

400

When Jean Renoir was exploring the diverse possibilities in the late silent era, he “flirted” with both of these styles.

What is impressionist and pictorialist styles?

500

This is the year and film from which Dulac became a note-worthy presence in the industry, when she had her first sustained opportunity to experiment with the cinema’s expressive possibilities.

1918 Ames de fous?

500

Incorporating these concepts into your movie would guarantee success in 1920’s French cinema

French colonial aspirations and the desire to idealize the French empire

500

The meeting of Surrealism and the cinema was to spark a life’s involvement with the medium for who?

Who is Luis Buñuel?

500

These new genres emerged in the 1920’s commercial cinema.

What are “drame bourgeois”, exotic costume drama and historical drama?

500

Marcel Duchamp, assisted by the American artist Man Ray, attempted this type of film, only to have a few frames of that work survive a primitive, homemade developing process.

What is a stereoscopic film?