Characters
Quotes
Plot points
Narrative technique
100

This character is the central figure sentenced to death for murder.

Agnes Magnúsdóttir

100

"They said I must die. They said that I stole the breath from men, and now they must steal mine."

Agnes Magnúsdóttir

100

Who is chosen as the executioner?

Guðmundur Ketilsson (Natan's brother).

100

The novel uses this narrative technique, alternating between third-person and Agnes’s first-person perspective.

What is dual narration (or shifting perspective)?

200

This assistant reverend is tasked with Agnes’s spiritual preparation for her execution.

Tóti (Þorvarður Jónsson)

200

They pick a mouse to tame a cat.

The servant that brings the letter to Tóti

200

What do we know about Agnes's past?

Kornsá, mother, brother, sister, abandoned.

200

In Burial Rites, Agnes’s personal reflections are presented in this narrative form, allowing the reader to see her thoughts and memories.

First-person narration

300

The name of the younger sister at Kornsá

Lauga 

300

They shall be executed here, he said finally. In Iceland. In the north of Iceland, to be exact.

Björn Blöndal

300

What does Tóti learn when he visits Undirfell?

Intelligent

300

The novel opens with excerpts from historical records and documents. This technique helps establish this type of narrative authenticity.

Historical realism

400

The other woman accused alongside Agnes in the murder of Natan Ketilsson.

Sigga

400

This woman has been beaten.

Margrét

400

Why did Agnes pick Tóti?

Met 6-7 years ago at Gönguskörð.

400

By presenting multiple perspectives and voices, Burial Rites challenges the reader to question this concept about Agnes’s guilt or innocence.

Objective truth

500

The two victims of the murder at the heart of the story

Natan Ketilsson and Pétur Jónsson

500

Natan Satan, that was his name. Nothing he did ever came from God.

Guðrún (servant at Undirfell).

500

What do we know about Natan?

Stories

500

The author’s use of fragmented memories and vivid imagery in Agnes’s first-person sections emphasizes this narrative quality, reflecting her trauma and mental state.

inner monologue and thoughts (stream of consciousness)