Enter Title

Name the V7/V

100

A Major

B7

200

F Major

G7

300

Bb Major

C7

400

d minor

E7

500

f# minor

G#7

Spell the V7/V

100

Db Major

Eb, G, Bb, Db

200

C Major

D, F#, A, C

300

eb minor

F, A, C, Eb

400

c# minor

D#, Fx, A#, C#

500

b minor

C#, E#, G#, B

Name the Secondary Leading-tone/V

100

A Major

d#o7

200

F Major

bo7

300

Bb Major

eo7

400

d minor

g#o7

500

f# minor

b#o7

Spell the Secondary Leading-tone/V

100

Db Major

go7: g, bb, db, fb

200

C Major

f#o7: f#, a, c, eb

300

eb minor

ao7: a, c, eb, gb

400

Bb minor

ao7: a, c, eb, gb

500

c minor

f#o7: f#, a, c, eb

Part-Writing Rules

100

How to resolve a dominant to tonic

3rd up, 5th and 7th down

200

T or F: When resolving a V7/V to V, one chord will be complete, the other will be incomplete

True

300

T or F: Keep common tones between chords. The other voices ALWAYS move to the nearest chord tone

False (check for parallel 5ths and 8ths)

400

First-step when part-writing

Write chord symbols above the given roman numeral

500

T or F: Secondary Dominants rarely resolve to the correct dominant

False