Pre-Pre Golden
Pre Golden
R&H
Not R&H
Form
100

Comic French opera

Opera Bouffe

100

His FOLLIES were a precursor to our musicals

Ziegfeld

100
R&H's first musical together

Oklahoma

100

West Side Story

Leonard Bernstein, Stephen Sondheim

100

Allows us to see the inner fears and hopes of a protagonist without lyrics

Dream Ballet

200

Comic Italian opera

Opera Buffa

200

The small theatre where much innovation was made because of low budgets and small casts

Princess Theatre

200

Wrote the book for Oklahoma

Oscar Hammerstein

200

Rodgers writing partner before Hammerstein

Lorenz Hart

200

Term for the elements of the musical all coming together. (Hint, Oklahoma was the first to do so)

Integration

300

Dramatic Italian Opera

Opera Seria

300

The first musical comedy (not musical play, think pre 1920s)

The Black Crook

300

 Major convention did Oklahoma break in the first few minutes of the show. 

Solo opening number instead of group number

300

Innovator of the Princess Musicals, Show Boat and Brigadoon

Jerome Kern

300

songs that take place in the world of the play, either within a performance context (night club, theater, etc.), or as a song a character sings for an acknowledged audience

Diagetic

400

This team wrote operettas like The Mikado, HMS Pinafore and Pirates of Penzance

Gilbert and Sullivan

400

The first musical play

Show Boat

400

She did the choreography for Oklahoma

Agnes DeMille

400

Guys and Dolls, Most Happy Fella, How to Succeed

Frank Loesser

400
The decade that musicals begin to take the form we now know

1940s

500

This famous Greek tale has influenced everything from operas to Hadestown (the Italian name!)

L'Orfeo

500

Wrote the lyrics for the first musical play

Oscar Hammerstein

500

Year Oklahoma opened

1943

500

Of Thee I Sing, Annie Get Your Gun

Irving Berlin

500

Decade musicals start to go away as the popular music of the day

1960s