Lighting

Lighting A

100

Effective lighting can tell a ____________

Story

200

Key light

subject is lit softly on one side

300

Component in 3 pt lighting that:

• The primary light source.
• It illuminates the subject and creates the overall exposure.
• Positioned at an angle to the subject to create depth and dimension.

Key Light

400

Part of 3 point lighting that: 

• Positioned behind the subject.
• Creates separation from the background and adds depth.
• Highlights the edges of the subject, enhancing visual interest.

Back Light

500

Moods can be controlled with

Lighting

Lighting B

100

cool or warm light are what kind of lighting

Temperature Lighting

200

Where should you position the backlight?

in the back of the subject

300

component of 3 pt lighting that: 

• A secondary light source.
• It softens shadows created by the key light.
• Typically placed opposite the key light and at a lower intensity.

Fill Light

400

can change dramatically throughout the day, with golden hour lighting being particularly cherished for its warm, flattering effects.

Natural Light

500

Top light should be positioned at the _______ of the subject

top

Lighting C

100

lighting used for love and safety

warm

200

can represent anonymity, while shadowy images can evoke curiosity or tension.

Silhouettes

300

what are we learning about

lighting

400

often symbolizes knowledge, life, and hope

Light

500

Different cultures and genres interpret _________ and ________  variably, with specific meanings attached to them.

light and shadow

Lighting D

100

lighting associated with sadness mystery tension and isolation

cool toned lighting

200

This technique uses strong contrasts between light and dark to create a dramatic effect, often highlighting the moral struggles of characters.

Chiaroscuro

300

This method encompasses key, fill, and backlight to create depth and texture, guiding the audience’s attention to specific elements within the frame.

3 point lighting

400

Colors and intensities can be adjusted in real-time, enhancing emotional moments or transitions between scenes.

Mood Lighting

500

•  These are often used to direct the audience’s attention to a character or moment, emphasizing significant actions or dialogue.

Focused Spots

Lighting E

100

The Type of lighting that falls on a subject and can transform the viewer’s perception 

Directional

200

Lighting that flattens features; creates a sense of openness. 

Front Lighting

300

Lighting that Enhances depth; can suggest complexity or duality in a character. 

Side Lighting

400

Silhouettes subjects; evokes mystery.

Back Lighting

500

Can create a harsh, dramatic effect; often used to indicate danger.

Top Lighting