Principles of Composition
Balance
Contrast & Emphasis
Movement & The Golden Ratio
Composition & Space
100

The distribution of visual weight is in an artwork

Balance

100

Balance where both sides look the same.

Symmetrical balance.

100

Opposing light vs. dark is an example of what?

Contrast

100

The principle where the viewer’s eye is guided through the artwork.

Movement

100

The arrangement of elements in artwork.

Composition.

200

Using differences like light vs. dark or rough vs. smooth.

Contrast.

200

Balance where sides look different but still visually equal.

Asymmetrical balance.

200

Organic vs. geometric shapes create what?

Contrast

200

Lines, shapes, or repeated patterns help create what?

Movement.

200

The main area of interest where the eye goes first.

The focal point.

300

Guides where the viewer’s eye goes first in an artwork.

Emphasis

300

The term for how “heavy” elements feel visually.

Visual weight

300

The area the artist wants you to notice first.

The focal point (emphasis).

300

A mathematical concept used to create visually pleasing movement and balance.

The Golden Ratio.

300

The principle dealing with the area around and between objects.

Space.

400

The path the viewer’s eye follows through an artwork

Movement

400

One way artists create asymmetrical balance.

Using a large object balanced by several smaller ones; or balancing color, texture, or value differences.

400

Using a bright color in a dull scene to draw attention is an example of what principle?

Emphasis.

400

How does the Golden Ratio affect the viewer’s eye?

It naturally leads the viewer’s eye along a spiral path that highlights important elements.

400

How can artists use space to create depth?

Overlapping objects, using size changes, atmospheric perspective, or foreground/middle ground/background.

500

The size relationships between parts of an artwork

Proportion and Scale

500

Why does symmetrical balance feel stable?

Because identical or mirrored elements create order and structure, giving the composition a sense of equilibrium.

500

Name two ways contrast can be created (not color).

Shape (organic vs. geometric), texture (smooth vs. rough), size (large vs. small), or value (light vs. dark).

500

Give an example of movement without using lines.

Repeating shapes, color gradients, directional lighting, or positioning objects to lead the eye.

500

How does composition create harmony and focus?

By organizing elements intentionally so they relate well, guide the viewer’s eye, and highlight key areas.