Social Class & Inequality
Pacing & Author's Craft
Primary vs. Secondary Sources
Duty, Ethics & Themes
100

This group of passengers had the easiest physical access to the boat deck and filled the majority of the early lifeboats.

Who are the First-Class passengers?

100

Walter Lord opens Chapter 1 not with the ship leaving port, but with this unexpected, subtle event

What is the iceberg collision / minor impact?

100

These three letters represented the traditional distress signal used by Marconi wireless operators in 1912 before "SOS" became standard.

What is CQD ("Come Quick Danger")?

100

This group of men stayed below deck until the end to keep steam dynamos running so the ship’s lights would stay lit.

Who are the ship's engineers?

200

These physical structures on the ship separated steerage passengers from higher decks and contributed to delays in their evacuation.

What are locked gates (or waist-high barriers / narrow stairwells)?

200

Lord uses this structural formatting tool at the start of sections to create a feeling of a ticking clock and heighten urgency.

What are clock timestamps (or minute-by-minute tracking)?

200

A transcript of wireless radio messages sent on April 14, 1912, is an example of this type of historical source.

What is a primary source?

200

Most occupants in half-empty lifeboats refused to row back into the water to rescue drowning swimmers due to this specific fear.

What is the fear of being swarmed or capsized by desperate people in the water?

300

This officer interpreted "women and children first" strictly as "women and children ONLY," leaving several lifeboats lowered with empty seats.

Who is Officer Charles Lightoller?

300

Lord cuts rapidly between short scenes of different passengers across the ship—a technique borrowed from modern filmmaking known as this.

What is cinematic perspective switching (or vignettes / cross-cutting)?

300

Walter Lord's book A Night to Remember, written in 1955 based on research and interviews, is classified as this type of source.

What is a secondary source (or narrative nonfiction)?

300

This music group famously played on the deck as the ship sank in an effort to maintain calm and order.

Who is the Titanic's band (or Wallace Hartley and his band)?

400

While Officer Lightoller enforced "women and children only," this officer allowed men to board lifeboats on his side of the ship if no women were present.

Who is Officer William Murdoch?

400

As the ship reaches its final plunge in Chapter 8, Walter Lord alters his sentence structure in this specific way to reflect the chaos.

What is making sentences shorter, faster, and more fragmented?

400

This nearby ship’s wireless operator went off duty for the night just minutes before the Titanic struck the iceberg, preventing them from receiving the SOS.

What is the Californian?

400

According to Walter Lord's Epilogue, the sinking marked "the end of an era" because it destroyed society's unquestioned belief in this.

What is human overconfidence in technology (or invulnerability / technological progress)?

500

Walter Lord notes that Third-Class passengers were not intentionally locked below to drown, but suffered higher loss of life due to these three systemic factors.

What are lack of information/guidance, language barriers, and the complex physical layout of the ship? (any two)

500

When passengers played football with chunks of ice on the deck after the collision, Lord was using this literary device to highlight the contrast between reality and passenger perception.

What is dramatic irony?

500

This key element is missing from cold wireless logs, but is added by Walter Lord’s narrative prose to help readers understand the emotional weight of the crisis.

What are sensory details, human perspectives, or narrative tension/pacing?

500

Name two direct safety regulations or legal changes introduced internationally as a result of the Titanic disaster.

What are: requiring lifeboats for every person aboard, 24-hour wireless radio watches, and the creation of the International Ice Patrol? (any two)