Character building
when and where
You said what?
Lit terms
This and that
100

Travis is sent out of every important scene except this one. Maybe he's the most important character in the play.

The final scene with Lindner (3.1)

100

The play is set in this city during this time period. 

Southside Chicago in the 1950s

100

"That was what one person could do for another, fix him up--sew up the problem, make him all right again. That was the most marvelous thing in the world...I wanted to do that."

Beneatha 

100

 The general attitude or character of a piece of writing; the manner in which a writer approaches the subject, themes, and audience of a piece

Tone

100

These are instructions written describe the actions, movements, or locations of the actors or indicate effects such as sound and lighting.




stage directions 

200

Travis aspired to be this. Perhaps inspired by his father. 

A bus driver

200

A Raisin in the Sun was first published in this year

1959

200

"Isn't there something wrong in a house--in a world--where all the dreams, good or bad, must depend on the death of a man?"

Joseph Asagai 

200

A common thread or central idea throughout a work of literature, usually about life/humanity

theme

200

This prop symbolizes several larger things in the play, including hope, life, and Mama's heritage from the south.

The plant

300

When arguing with George, Walter compares himself to this surrounded by these. Not safe or flattering for the family.

Volcano surrounded by ants

300

The previous generations of the Younger family lived in this region of the country.

The south 

300

"I'll work twenty hours a day in all the kitchens in Chicago...and scrub all the floors in America and wash all the sheets in America if I have to--but we got to MOVE! We got to get OUT OF HERE!!"

Ruth

300

A pattern (in symbol, image, sound, action, or other figures) that contributes to the larger theme(s) of a text.

Motif

300

Mama comes from this many "generations of slaves and sharecroppers."

Five 

400
As foils, these two men represent two alternatives for African-American identity in mid-20th century America: assimilation or a return to Africa. 

George Murchinson and Joseph Asagai

400

Mama arrived in Chicago as part of this, which lasted from about from 1916 to 1970

The Great Migration 

400

"When you starts measuring somebody, measure him right...Make sure you take into account what hills and valleys he come through before he got to wherever he is." 

Mama

400

 Common defining features of literary genres

Conventions 

400

This type of character is complex and changes over the course of the story. Walter is an example. 

Round & dynamic character

500

Walter Sr. worked in this occupation. It really helped build his character. 

Laborer (bricklayer) 

500

Joseph Asagai is from the Yoruba tribe in this African country.  

Nigeria 

500

'What I am telling you is that we called you over here to tell you that we are a very proud people"

Walter 

500

Movement patterns of actors on the stage, usually planned by director to create meaningful stage picture

Blocking 

500

This prop symbolizes several larger things in the play, including hope, life, and Mama's heritage from the south. 

the plant