Moves by a melodic interval of 2nds
Step
CF and CPT move in different directions
Contrary
Too little ____ motion causes an error
contrary
You cannot have this perfect interval between the soprano and bass
perfect 4th
Moves by a melodic interval of 3rds
Skip
CF or CPT stays the same while the other moves
Oblique
Too much _____ motion causes an error
Parallel
These kinds of harmonic intervals are not allowed in 1:1 counterpoint
dissonant
Moves by a melodic interval of 4ths +
Leap
CF and CPT move in the same direction and in the same intervals
parallel
When a ___ is not approached by a step and does not resolve in the opposite direction
Leap
When a perfect 5th or octave interval is continued by parallel motion it is considered a...
Parallel fifth/octaves
Moves primarily by step (or skip)
Conjunct
CF and CPT forms an interval of an 8th
Octave
When the soprano and bass go in each other's voice (ex: bass is higher than the soprano)
crossed voices
Raise the 6 and 7 scale degrees in a minor cadence to avoid...
augmented second
Moves primarily by skip or leap
Disjunct
CF and CPT move in the same direction but not in the same intervals
similar
The following note is in an invalid register (out of voice range)
Overlapping
Approaching a perfect 5th or octave by similar motion causes...
hidden or direct 5th/octaves