Rhetorical & Literary Devices
Linguistic & Stylistic Concepts
Textual Structure, Forms, & Genres
Tone & Atmosphere
Rhetorical & Literary Devices
100

An intentional, obvious, and vivid exaggeration used for emphasis or rhetorical effect rather than literal truth.

Hyperbole

100

The use of old-fashioned, outdated words or sentence structures that are no longer common in modern English.

Archaic Language

100

The specific text type, shape, or medium that a piece of writing takes.

Form

100

A forceful, hostile, or attacking tone.


Aggressive

100

Descriptive language that appeals to the reader's sense of hearing.


Auditory Imagery

200

A literary device where non-human things, ideas, or animals are given human attributes, emotions, or actions.

Personification

200

Formally structured, sophisticated word choice and high-level vocabulary used to assert authority, evoke respect, or empower an audience.

Elevated Diction

200

The broad category, style, or classification of a text determined by its technique, tone, and content.

Genre

200

An objective, emotionless, and purely analytical or factual tone that distances the writer from the subject matter.


Detached / Clinical

200

 Descriptive language that appeals to the reader's sense of taste (often paired with olfactory/smell imagery).


Gustatory Imagery

300

A contrast between expectation and reality, such as when the actual outcome of a situation is the exact opposite of what was expected, or when words express something different from their literal meaning.

Irony

300

 Language or word forms used to denote smallness, youth, or unimportance, sometimes carrying a tone of condescension or affection.

Diminutive Language

300

 A nonfiction account of a person's life experiences written by that person themselves

Autobiography

300

A deeply serious, formal, and dignified tone, often touching on grave, honest, or morally weighty matters.


Solemn

300

The deliberate presentation of something as being much smaller, worse, or less important than it actually is; the direct opposite of hyperbole.

Understatement

400

The intentional repetition of a word or phrase at the beginning of successive clauses, sentences, or lines to build rhythm and emphasis.

Anaphora

400

The use of pronouns like "we" and "our" to foster a sense of inclusivity, unity, and shared identity between the speaker and the audience.

First-Person Plural

400

A peer-reviewed, highly formal, and heavily researched periodic publication intended for a scholarly or professional audience.

Academic Journal

400

The author's underlying attitude toward their subject matter, conveyed through their specific word choices and stylistic stance.


Tone

400

Language that creates vivid mental pictures not through literal description, but through figurative comparisons to represent actions, preparation, or abstract states.

Metaphorical Imagery

500

A statement or proposition that seems self-contradictory or absurd but in reality expresses a possible truth.

Paradox

500

A mild, vague, or indirect expression substituted for a word or phrase considered harsh, blunt, or unpleasant.

Euphemism

500

A genre of writing designed to blend informative content with persuasive, highly descriptive language to market a destination, product, or experience to potential customers.

Promotional Feature

500

An attitude characterized by a general distrust of others' motives, or a pessimistic outlook on events and human nature.


Cynical

500

A writing principle that suggests things that come in threes are inherently more satisfying, impactful, and memorable to the reader.

Triadic Structure