Peisistratus Tyranus
Goat Song
Party Song
Just Another Form of Entertainment
Wild Card
100

Translating to "seeing place" in English, this Greek word is the origin of the English word "theatre."

Theatron

100

Written by famous Greek philosopher, Aristotle, this work is viewed as the world's first literary criticism.

Poetics

100

After 3 days of tragedy, the Greeks saw it fit to lift everyone's spirits with this early form of farce.

Satyr Play

100

A bragging soldier type, this stock character developed by Plautus could be viewed as a prototype for popular Disney villain Gaston.

Miles Gloriosos

100

Euripides adapted this story from the Odyssey, remaining our only extant Satyr play.

Cyclops (Euripides)

200

This Greek god represented everything that gives the common man reprieve from the drudgery of everyday life.

Dionysus

200

Of the six elements of Tragedy, (Diction, Song, Spectacle, Plot, Character, and Theme), Aristotle viewed this element to be the most important.

Plot

200

Infamous for dirty jokes, relentless mocking of political figures and customs, and being sued at least once for unpatriotic behavior, he is our only extant Greek comic playwright.

Aristophanes

200

He was the first professional dramatist, responsible for developing stock plots and stock characters for maximum entertainment.

Plautus

200

Flanking either side of the proskenion and leading toward the orchestra, the chorus would enter from these entrances.

Paradoi

300

Landing within the Ritualism theory of origin, these special hymns were written and performed by a chorus using antiphonal singing.

Dithyrambs

300

Often confused with the tragic flaw of hubris, this important element of plot structure contains the flawed actions that ultimately lead to the tragic hero's downfall.

Hamartia

300
A secondary military conflict between Athens and Sparta over disputed territories after the Greco defeat of the Persians, making it no longer safe for playwrights to mock political figures.

Peloponnesian War

300

Stock plots gave way to what is known as "pressure comedy" which can be viewed as the prototype for this modern TV genre.

Sitcom

300

An ancient producer of Greek theatre, hiring the playwright, actors, flute player, and providing funding for the masks/costumes/effects for a given production.

Choregos

400

Place in which the actors would change masks and costumes between scenes.

Skene

400

Famous for having "swollen feet," this tragic hero is best remembered as representing the idea of a "self-fulfilling prophecy."

Oedipus

400

This early comedy made use of composite characters representing different city-states and found humor in how difficult it is to refrain from sexual activity.

The Lysistrata
400

The first playwright of color, he wrote in a style that was more sophisticated with fewer plot holes and deeper ironies, giving us the idea of moral ambiguity as seen in his play Adelpho (The Brothers).

Terence

400

Aristotle's theatrical theory of origin.

Memetic Impulse

500

Seen as a source of Athenian pride and power, this festival lasted 5 days and welcomed 17,000 spectators including foreign dignitaries.

City Dionysus

500

This dramatic device is employed when the audience knows something that the characters do not.

Tragic Irony

500

Komoidia, meaning "party song," was developed at this  festival, taking its name from the Greek word "lenos" meaning "wine press."

The Lenea

500

Written in 1st century BCE, Horace wrote this work advising the playwright to "know your audience" and for actors to exercise decorum.

Ars Poetica

500

This element of Aristotle's tragic plot structure is often brought about by the arrival of a messenger.

Peripeteia

600

A dynamic society with a humanistic view of reality, Ancient Greek thought was dominated by the tension between human rationality and unpredictability, giving way for this tragic theme.

Fate vs. Freewill

600

This element of Aristotle's tragic plot structure known as "recognition" arrives only once it is too late for anything to be saved.

Anagnorisis

600

Theatrical device in which the chorus or a single character addresses the audience directly.

Parabisis

600

A famous Roman play in which a father returns home after years away on business, only to find his house has been supposedly haunted by a ghost in his absence.

Mostellaria

600

The three stock characters developed by Plautus which are seen as having lower status.

Meretrix, Servus, Parasite