Rhetorical Devices
Figurative Language
Rhetorical Modes
Rhetorical Style
Logical Fallacies
100

A short story told to develop a point or humor within an argument.

Anecdote

100

Making an implied comparison, not using “like,” as,” or other such words.

Metaphor

100

Writing to persuade someone to do or believe something.

Argumentation

100

The author's word choice.

Diction

100

Exaggeration of the likely consequences of an action, designed to show that a misstep today could result in a disaster in the future.

Slippery Slope

200
Making an indirect reference to something commonly known.

Allusion

200

Giving human-like qualities to something that is not human.

Personification
200

Writing to clarify something by using two examples to highlight their similarities and differences.

Compare and contrast

200

The structure of a sentence.

Syntax

200

Unfair oversimplification of an issue by providing only two options as possible solution.

Either/Or

300

Putting two opposite things near each other to highlight their differences.

Juxtaposition

300

A common, often used expression that doesn’t make sense if you take it literally.

Idiom

300

Writing to show the relationship between events or ideas and how they influence each other.

Cause and Effect

300

The attitude of the speaker.

Tone

300

Arguments urging you to follow the same path that everyone else is taking.

Bandwagon

400

Sentences with repeating or identitcal grammatical patterns.

Parallel Structure

400

Replacing an actual word or idea, with a related word or concept that is represented by one of its parts, or vice versa.

Synechdoche

400

Writing to tell a story following a plot structure.

Narration

400

The author's style and craft in writing.  A personal element of the speaker in the writing.

Voice

400

Playing on an audience's emotions to distract them from the facts.

Sentimental Appeal
500

Drawing attention to a political or societal problem by saying the opposite of what you really mean.

Irony

500

A description involving a “crossing of the senses.”

Synesthesia

500

Writing to explore ideas using examples, possibly from research.

Exposition

500

When the subject of the sentence receives the action.

Passive voice

500

Attacking one's character instead of the quality of his/her ideas.

Ad Hominum