Literary Devices
Poetry Terms
Drama & Fiction
Rhetorical & Grammar
Mixed Figures & Review
100

A story, poem, or picture that can be interpreted to reveal a hidden meaning, often moral or political.

Allegory

100

The deliberate repetition of initial consonant sounds in nearby words (e.g., "wild and woolly").

Alliteration

100

A character who opposes the protagonist and creates conflict.

Antagonist

100

The literal dictionary meaning of a word (opposed to connotation).

Denotation

100

A comparison using "like" or "as".

Simile

200

A word or phrase that has an emotional or cultural association beyond its literal meaning.

Connotation

200

 A stressed/unstressed syllabic pattern; name the five‑foot line commonly used in English dramatic verse.

Iambic pentameter

200

A brief speech by a character alone on stage, revealing inner thoughts to the audience.

 Soliloquy (or dramatic monologue if speaker addresses implied listener)

200

A question asked for effect with no answer expected; often used to emphasize a point.

Rhetorical question

200

The repetition of a word or phrase at the beginning of successive lines, clauses, or sentences.

Anaphora

300

A direct address to an absent or imaginary person, object, or abstract idea (e.g., "O Death!").

Apostrophe

300

 A lyric poem of 14 lines, typically with a specific rhyme scheme and volta; name the two major national traditions for this form.

Sonnet — English (Shakespearean) and Italian (Petrarchan)

300

A tragic hero’s fatal error or mistake in judgment that leads to downfall.

 Hamartia (tragic flaw/error)

300

A deliberate understatement that presents something as less important or severe than it is.

Understatement (litotes is a specific form)

300

A satirical imitation of a serious work or author meant to ridicule.

Parody

400

A lengthy comparison that extends across multiple lines or the entire work, creating an elaborate parallel between two things.

Extended Metaphor

400

A fixed-form poem of six stanzas with repeated end-words and a three-line envoy; known for its complexity of repetition.

Sestina

400

A work’s opening scene that begins in the middle of the action (Latin phrase).

In media res

400

A figure of speech in which a part stands for the whole or the whole for a part (e.g., "all hands on deck").

Synecdoche  

400

A striking contrast or opposition of ideas expressed in balanced phrases (e.g., "It was the best of times, it was the worst of times").

Antithesis

500

A structural or interpretive method that breaks down and questions traditional assumptions about a text’s meaning, often focusing on underlying contradictions.

Deconstruction

500

The technique where a line of poetry runs over into the next line without terminal punctuation, creating a flowing thought across lines.

Enjambment

500

A narrator who cannot be fully trusted to present objective facts or motives; name a key consequence for readers.

Unreliable narrator — consequence: readers must question narrative truth and infer motives; complicates interpretation

500

A three-part deductive argument structure used in classical logic (often used in rhetorical analysis).

Syllogism

500

A complex, extended conceit associated with metaphysical poets that links seemingly disparate things in surprising ways.

Metaphysical conceit