Set 11
Set 12
Set 13
Set 14
Set 15
100

A lengthy, elevated poem that celebrates the exploits of a hero. Beowulf is a prime example.

epic

100

A simple, symbolic story, usually employing animals as characters. Aesop and La Fontaine are authors who excel at this form.

fable

100

The shape or structure of a literary work.

form

100

A verbal approximation of a sensory impression, concept, or emotion.

image

100

The total effect of related sensory images in a work of literature.

imagery

200

A brief witty poem. Pope often utilizes this form for satiric commentary.

epigram

200

The body of devices that enables the writer to operate on levels other than the literal one. It includes metaphor, simile, symbol, motif, hyperbole, and others.

figurative language

200

Poetry without a defined form, meter, or rhyme scheme.

free verse

200

A type of lyric poem which extols the virtues of an ideal place or time.

idyll

200

Writing that reflects a personal image of a character, event, or concept. The Secret Sharer is a fine example.

impressionism

300

a device of repetition commonly found in ballads. It involves the repetition of lines or stanzas with small but crucial changes made to a few words from one to the next, and has an effect of narrative progression or suspense. 

Eg: "then they were erased”, “then we were erased” -- “i am graffiti”

Incremental repetition

300

A device that enables a writer to refer to past thoughts, events, episodes.

flashback

300

Extreme exaggeration. In “My Love is Like a Red, Red Rose,” Burns speaks of loving “until all the seas run dry.”

hyperbole

300

A pattern of beats in poetry. (Answers to questions in poetry review: 5, 3, 2, 2, 4)

meter

300

A direct comparison between dissimilar things. “Your eyes are stars” is an example.

metaphor

400

Background information presented in a literary work.

exposition

400

A metrical unit in poetry; a syllabic measure of a line: iamb, trochee, anapest, dactyl, and spondee.

foot

400

A metrical foot consisting of an unaccented syllable followed by an accented one; the most common poetic foot in the English language, (˘ ´).

iamb

400

A type of poetry characterized by emotion, personal feelings, and brevity; a large and inclusive category of poetry that exhibits rhyme, meter, and reflective thought.

lyric poetry

400

An unexpected twist or contrast between what happens and what was intended or expected to happen. It involves dialogue and situation, and it can be intentional or unplanned. 

"Introduction to Poetry" by Billy Collins and the ending of Things Fall Apart are good examples of these.

irony

NOTE: Dramatic irony centers around the ignorance of those involved while the audience is aware of the circumstance.

500

A technique in poetry that involves the running on of a line or stanza. It enables the poem to move and to develop coherence as well as directing the reader with regard to form and meaning. Walt Whitman uses this continually.

enjambment

500

Hints of future events in a literary work.

foreshadowing

500

A type of literature that explores narratives by and about characters who inhabit and experience their reality differently from what we term the objective world. Writers who are frequently placed in this category include Gabriel García Márquez, Günter Grass, and Isabel Allende.

magical realism

500

Refers to the work of poets like John Donne who explore highly complex, philosophical ideas through extended metaphors and paradox.

metaphysical poetry

500

A figure of speech in which a representative term is used for a larger idea. (“The pen is mightier than the sword.”)

metonymy