DRUMS
BASS
MELODY AND FORM
GROOVE
100

Kicks over Time

Notated with note heads above the staff. 

Used to indicate accents played over 'basic time'. 

Can be played on a drum or cymbal of the player's choice. 

Written instructions such as (with horns), can be
helpful and thought of as cues.

100

Playing Changes and Specific Notes and/or rhythms

slashes and chord symbols and also specific notes and rhythms

100

this note value is used when adapting a melody to fit a funk style 

sixteenth note

100

this style of grove uses a 16th-note feel

Samba

200

Cymbal Accents and Rhythms Over Time

Notated with x's above the staff. Used to indicated accents or rhythmic patterns to be played on a
specific cymbal to be played over 'basic time'.

200

this is the third option for notating bass parts

Written Bass Parts

200

this is the song form of choice for composers of musicals in the 1930s and 40s

complex binary.

200

this style of groove employs an 8th-note feel

rock

300

Stop Time

Use rhythmic notation (pg 25). 

These are accents not incorporated into a 'basic time' feel. 

Played as
isolated accents on a drum or cymba

300

This defines the Bossa bass line in its purest form

dotted quarter note / eighth note pattern alternating between the root and the 5th

300

this is the song form of choice for composers of early songs but can be found in more contemporary music

verse refrain

300

a funk groove uses this subdivision of the beat

16th note

400

3 Part Drum Notation

Specific notation for bass drum, snare and cymbal(s). Used when a written style indication is not
adequate to get the desired feel. The snare drum and cymbal part are stemmed together. Slashes with
the word 'simile' can be used after a few bars if the pattern continues. (Pg 27 ex. 8)

400

These are the characteristics of a walking bass line

quarter note movement

root on chord change

approach new root by step

400

these are the sections found in many simple binary songs

verse

chorus

primary bridge

transitional bridge


400

a bossa nova groove employs this subdivision of the beat

8th note

500

basic time notation employs these devices

Slashes indicate number of beats, indicate beaters (sticks, brushes) and style (swing, samba, etc.).
Used for most jazz styles. Gives player more freedom.

500

This is notation technique for the bass is described as "playing the Changes"

Slashes to indicate the number beats

chord symbols

style

500

this note value is used when adapting a melody to fit a bossa nova style

8th not

500

these are the two different feels or subdivisions of the beat that are used in the grooves we are exploring in arranging 1

16th note and 8th note