What do you call...?
Don't let them trick you
Line, shape, and texture
Our old friend, color
Putting it all together
100

What is a negative shape?

A shape that exists in the space around a design

100

What are the three lines types? And what are the three line directions?

Gestural, structural, and contour.

and

Vertical, horizontal, and diagonal.

100

Which line direction is considered the most dynamic in a composition?

Diagonal

100

Where does color come from?

Light

100

The way in which all of an artwork's elements work together to produce an overall effect is called its _________________.

Composition 

200

What is the word that describes the lightness or darkness of grays and colors?

Value

200

When lighting is just right, textured surfaces can become _________ and ____________.

Active and dominant

200

How is implied line used in a composition?

It guides the viewer’s eye around the image

200

What is a tint?  What is a shade?

A color mixed with white.

and

A color mixed with black.

200

The picture below is divided up according to the _____  ____   _______.

Rule of thirds

300

How can we define shape? And how do we define form?

An object that has two dimensions – height and width.

and

An object that has three dimensions, or appears to be 3-Dimensional

300

What are two characteristics that define forms?

Weight and solidity

300

Most two-dimensional artwork (like drawings and paintings) usually rely heavily on what kind of texture?

Implied texture (texture that looks like its exists, but you can't actually feel with you hands)

300

What are the three important properties of color?

Hue, value, and intensity

300

How can we define nonrepresentational or abstract artwork?

Artworks that do not depict recognizable forms or subject matter

400

What is the foreground, midground or middleground, and background of an image?

Foreground - closest to the viewer (in the front)

Midground or middleground - not too close or too far from the viewer (in the middle)

Background - farthest from the viewer (in the back)

400

Which of the following are geometric forms? 

A. Circle, square, and triangle 

B. Rectangle, oval, and trapezoid 

C. All of the above 

D. None of the above

D. None of the above

(circles, squares, triangles, rectangles, ovals, and trapezoids are all shapes, not forms.  It's a sneaky trick question.)

400

What are the two types of shapes? Describe what types of shapes you would find in each category.

Geometric and organic.

Geometric - square, rectangle, circle, oval, etc.

Organic - any other irregular, squiggly, and unnameable shape

400

Name the three primary colors.  And name three neutral colors.

Red, yellow, and blue.

and

Black, white, grey, and brown.

400

Horizontal, vertical, diagonal lines, vanishing points, horizon lines, and orthogonal lines are all things we need if we are going to draw a building using ______   ___________.

Linear perspective

500

What is a light source?  And how can you identify the light source in an image?

Where the light is coming from in the picture (what direction).

and

Find the highlights (the highlight is on the same side of an object as the light source)

500

What is a line created by objects that touch, overlap, or share an edge?

An implied line

500

How would you use only lines to create a gradient from light to dark (like the one below)?

Using hatching, cross-hatching, or scumbling.

Hatching - parallel lines, just a few lines on the left and tons of parallel lines on the right

Cross-hatching - perpendicular lines, just a few lines on the left and tons of crisscross lines on the right

Scumbling - squiggly lines, just a few lines on the left and tons of squiggly lines on the right

500

In a few words, define these color schemes: analogous, complementary, split complementary, and triadic.

Analogous - neighbors on the color wheel

Complementary - opposites on the color wheel

Split complementary - a color and the two colors next to its true complementary pair, makes a narrow and tall triangle

Triadic - makes a triangle, three colors even spaced on the color wheel

500

If an artist was drawing a landscape, how could they use value to show depth in their image?

(Think of atmospheric or aerial perspective)

By allowing objects to become lighter as they move away from the foreground (mountains in the distance are lighter and hazier than the ones close to the viewer)