Movements & Time Periods
Color Power
Space & Depth
Light, Mood, Drama
Tools, Materials, & Techniques
100

This art period means “rebirth” and looked back to ancient Greece and Rome.

Renaissance

100

These are the three colors you can’t make by mixing other colors.

Primary colors

100

The part of a painting that feels closest to you—like the front of a stage.

Foreground

100

Dramatic strong contrast between light and dark to make things look 3D.

Chiaroscuro

100

Fast-drying paint that became popular in the mid-1900s and doesn’t yellow like oil.

Acrylic paint

200

This art period goes from the 1950s to today.

Contemporary

200

Colors opposite on the color wheel that make each other look brighter.

Complementary colors

200

The part of a painting between the foreground and the background.

Middleground

200

The feelings a painting is trying to give you.

Mood

200

A flat surface used to mix paint (also can mean the color range in a painting).

Palette

300

1600–1800 art: formal, detailed, energetic, and often strong light/dark contrast.

Baroque

300

Colors that feel like fire and sunshine.

Warm colors

300

The illusion that a flat painting has depth and distance.

Perspective

300

A comparison that makes differences stand out (like light vs dark or warm vs cool).

Contrast

300

Pigment mixed with linseed oil; dries slowly so artists can keep working.

Oil paint

400

1800–1950: artists moved away from realism; includes movements like Impressionism and Cubism.

Modern

400

Colors that feel like shade, water, and ice.

Cool colors

400

This part of a painting usually looks farthest away behind the main subject.

Background

400

Can mean the source of light (sun/lamp) OR how light/dark areas look.

Light

400

Paint made with egg yolk (or similar); dries quickly so artists must work fast.

Tempera

500

Art where shapes, colors, and forms become the “subject” instead of realistic objects.

Abstract

500

Calm colors like black, white, gray, tan—NOT on the color wheel.

Neutral colors  

500

Lines like roads or rivers can get ________ as they go into the distance to show depth.

Narrower

500

Renaissance technique where edges look soft and “smoky” with blended transitions.

Sfumato

500

A print made by carving a block of wood, inking it, and pressing it onto paper.

Woodcut print