Shot Types & Camera Angles
Who’s On Set? (Crew Roles)
Safety or Nah?
Say It Like a Filmmaker (Terminology)
Scene Setup & Script Talk
100

What is a wide shot used for?

To show the full subject or scene; establish location.

100

Who is responsible for calling “action” and “cut”?

Director

100

Is this safe or not: Holding a light stand while it's plugged in?

Not safe. Always unplug before adjusting equipment.

100

What does “B-roll” mean?

Extra footage used to support the main story (e.g., cutaways).

100

How does lighting affect the mood of a scene?

Bright = happy, dark = intense/sad, warm = cozy, cool = distant — interpretive but must be supported.

200


Name two types of camera movement.

Pan, tilt, dolly, truck, zoom (any 2).

200

Who operates the boom mic and checks for sound issues?

Audio Technician or Boom Operator.

200

You see a backpack in the walkway near a tripod. What should you do?

Move it out of the way to prevent someone from tripping — safety hazard.

200

If someone says, “Get me the dead cat,” what are they asking for on set?


They’re asking for the furry wind cover that goes over a boom mic or shotgun mic. It reduces wind noise during outdoor recording and is called a “dead cat” because of its gray, fuzzy appearance — like a small, fluffy animal.

200

What’s blocking, and why is it important?

Planning actor movement and positioning — helps timing, camera work, and storytelling.

300

Describe the difference between a close-up and an extreme close-up.

Close-up shows the face; extreme close-up focuses on a detail (like eyes or lips).

300

If the director is sick, who on set could step up and help guide the project?

Assistant Director or Producer

300

Name two things you should always check before filming with a camera.

Tripod stability, charged battery, SD card, lens cap, clean lens — any two.

300

What does “rule of thirds” help you with?

Framing and composition — makes shots more balanced.

300

If your scene has no dialogue, how can you show what a character is feeling?

Through actions, facial expressions, music, shot choices.

400

What angle makes the subject look more powerful?

Low angle.

400

This crew member is responsible for the overall visual look of the film — including camera angles, lighting, and how scenes are framed.

Cinematographer or Director of Photography (DP)

400

What are some signs that your set is not safe?

Accept multiple: tangled cords, blocked exits, poor lighting, untrained equipment use, people goofing off.

400

If someone says “we need coverage,” what are they asking for?

More shots from different angles to have editing options.

400

What does every good script need at the top of each scene?

Slugline or scene heading.

500

You want to create tension in a scene. What combination of framing and angle could help you do that?

Answers may include: low angle + close-up, extreme close-up, over-the-shoulder, or Dutch angle.

500

Name three above-the-line roles in a film production.

Any three of the following:

  • Director

  • Producer

  • Screenwriter

  • Executive Producer

  • Lead Actor/Principal Talent

  • Showrunner (for TV productions)

500

You’re filming outside on a hot day. What safety precautions should your crew take?

Hydration, shade breaks, sun protection, weather check, proper clothing. Multiple answers encouraged.

500

Define continuity in filmmaking.

Consistency of details between shots (e.g., props, position, lighting).

500

You’re planning a short PSA. Name the 3 parts your script must include.

Introduction/hook, main message or call to action, conclusion — or beginning, middle, end. Accept reasonable structure.