Origins Of It
Storytellers
Dark Side of Theatre
The Foundation
The Revolution
100

dramatic movement encompassing plays written by, for, and about African Americans.


Black Theatre

100

- famous khoikhoi woman who was exhibited as a freak show attraction in the 19th century in Europe

Sarah Baartman (Hottentot Venus)

100

the makeup used by a nonblack performer playing a black role.

blackface

100

a blossoming (c. 1918–37) of African American culture, particularly in the creative arts, and the most influential movement in African American literary history.


Harlem Renaissance

100

Black Arts Repertory founder and famous black playwright of the 60s and 70s.

Amiri Baraka

200

rhythmic and acapella songs sung by people working


work song

200

famous black playwright and writer of “A Raisin in the Sun”.

Lorraine Hansberry

200

(also known as minstrelsy) – it was a popular, now offensive, form of stage entertainment featuring songs, dances, and comic dialogue in highly conventionalized patterns, usually performed by white actors in blackface.

Minstrel Shows

200

she was a famous civil rights activist, entertainer, performed on stage, screen, and recordings.

Josephine Baker

200

revolutionary black theatre, which sought to create a strong "black aesthetic" in American Theatre.


Black Arts Repertory

300

a form of percussive dance in which the participant's entire body is used as an instrument to produce complex rhythms and sounds

stepping

300

famous black playwright and creator of the Century Cycle plays, including “Fences”

August Wilson

300

large, dark, obedient, singing, docile woman who was protective of the white family and portrayed as dominant member of her own family

Mammy

300

American dancer, choreographer, and anthropologist noted for her innovative interpretations of ritualistic and ethnic dances.


Katherine Dunham

300

this theatre wanted to promote blacks to be liberators, artistic and expressive as opposed to typical acting model that is seen in the mainstream Eurocentric theatre

Urban Arts Core

400

a religious song of a kind associated with black Christians of the southern US, and thought to derive from the combination of European hymns and African musical elements by black slaves.

Spirituals

400

▪developer of the choreopoem and playwright of “For Colored Girls (Who Have Considered Suicide / When the Rainbow Is Enuf)”.

Ntozake Shange

400

characterizations of black children as dirty, unkempt, savage beings


Pickaninny

400

this theatre put on plays in a downtown Manhattan theatre 40 years before Lincoln ended slavery

The African Company

400

founders of the American Negro Theatre


Abram Hill and Frederick O'Neal

500

between a speaker and listener in which all statements are punctuated by expressions or responses.

Call and Response

500

traveling entertainer/storyteller who tells and maintains an oral history in Africa

Griot

500

characters in minstrel shows that played percussion and often misinterpreted things (to portray blacks as being uneducated.)


Mr. Bones and Mr. Tambo

500

written Garland Anderson, the first play by a black playwright on Broadway.


Appearances

500

founded in 1940, was a spin-off to the Negro Unit of the Federal Theatre Project of the Roosevelt administration

American Negro Theatre (ANT)