Name That Move
Pan, Tilt, or What?
Follow the Action
Zoom & Focus
Why Use It?
100

This shot has no camera movement.

Static Shot

100

The camera rotates left or right from a fixed position.

Pan

100

This shot moves with a subject as they travel through a scene.

Follow/Tracking Shot

100

This technique changes focal length without requiring the camera body to move.

Zoom

100

This movement physically moves the camera closer to emphasize a subject.

Dolly In / Push In

200

The entire camera physically moves closer to the subject.

Dolly In / Push In

200

The camera rotates upward or downward without changing its physical location.

Tilt

200

The camera moves sideways, generally parallel to the subject

Trucking Shot

200

This fast, sudden lens movement quickly magnifies or widens the image.

Crash Zoom

200

This movement can reveal more of the environment by physically moving away from the subject.

Dolly Out / Pull Back

300

The entire camera physically moves straight up or down.

Pedestal

300

Unlike a tilt, this movement physically raises or lowers the entire camera.

Pedestal

300

The camera travels around a subject, changing the background and perspective.

Orbit Shot

300

This technique shifts sharpness from one subject or distance to another.

Rack Focus / Focal Pull

300

This rotating movement can make the viewer feel confused, unstable, or disoriented.

Roll

400

This movement rotates the frame around the camera's lens axis.

Roll Shot

400

The camera moves laterally across the scene rather than rotating from a fixed position.

Trucking Shot

400

This curved movement travels around only part of a subject rather than necessarily making a complete circle.

Arc Shot

400

This effect combines physical camera movement with an opposing zoom.

Dolly Zoom

400

This camera-support movement can dramatically reveal a large location by changing the camera's height.

Crane / Jib

500

This movement circles a subject and continuously changes the viewing perspective.

Orbit Shot

500

The camera points upward from a fixed position. A student calls it a “pedestal up.” What movement is it actually?

Tilt Up

500

Instead of following from behind, the camera travels ahead of a moving subject while facing the subject.

Lead / Tracking Shot

500

The subject stays roughly the same size while the background perspective appears to stretch or compress dramatically.

Dolly Zoom

500

A filmmaker wants to shift attention from a phone in the foreground to a person in the background without moving the camera or cutting. Use this technique.

Rack Focus / Focal Pull