CAMERA MOVEMENT
Moving the camera to the left or rigt on a pivot point
PAN
THE IRIS OPENING OF THE LENS
APERATURE
FIELD OF VIEW WHERE OBJECTS ARE SEEN FAR AWAY OFTEN REFERED TO AS AN ESTABLISHING SHOT
WIDE SHOT
THE SPACE FOUND BETWEEN THE TOP OF THE THE OBJECT/SUBJECT AND THE TOP OF THE CAMERA'S VIEWFINDER
HEADROOM
Inserting a view of something else other than the subject you are recording.
CUT AWAY
MOVING THE ENTIRE CAMERA FOWARD OR BACKWARD
DOLLY
PROVIDES AN ELECTRONIC DIGITAL BOOST OF LIGHT TO THE PICTURE
ISO
FIELD OF VIEW THAT CAPTURES THE SCENE FROM A MEDIUM DISTANCE SOMETIMES CALLED A WAIST SHOT
MEDIUM SHOT
THE SPACE AJUSTED TO THE LEFT OR RIGHT OF THE SCENE TO SHOW DIRECTION
LEAD ROOM
RECORDING A DETAIL PART OF SHOT WITHIN A SHOT
CUT IN
MOVING THE CAMERA UP AND DOWN ON A PIVOT POINT
TILT
ADJUST THE COLOR CIRCUITS IN THE CAMERA TO ADJUST THE PROPER COLOR TEMPERATURE FOR THE CAMERA
WHITE BALANCE
FIELD OF VIEW THAT CAPTURES THE HEAD AND SHOULDER OF A PERSON OR A SUBJECT VIEWED AT CLOSE RANGE
CLOSE UP
DIRECTIONAL FORCES WITHIN THE SCENE THAT ENHANCES COMPOSITION AS WELL AS INFLUENCESTHE VIEWER TO LOOK IN A PARTICULAR DIRECTION
LEADING LINES/VECTORS
AVERAGE SETTING FOR THE CAMERA'S ISO
BETWEEN 800-1000
MOVING THE ENTIRE CAMERA UP AND DOWN USING A PEDESTAL OR DRONE OR CRANE
PEDESTAL
WHEN SHOOTING AT 30 FRAMES PER SECOND THE SHUTTER SPEED WILL BE SET TO.
60
FIELD OF VIEW THAT CAPTURES THE TOP AND BOTTOM OF A SUBJECT OR OBJECT
FULL SHOT
WHEN AN IMAGE IS DIVIDED EVENLY INTO THIRDS BOTH HORIZONTALLY AND VERTICALLY TO HELP ALIGN YOUR IMAGE FOR BETTER COMPOSITION.
RULE OF THIRDS
NAME THREE CAMERAS USED IN ASPECTS 1
Canon t6, t7, t3i
MOVING THE CAMERA IN A CIRCULAR MOTION
ARCH
WHEN THE IMAGE IS TO DARK THE PICTURE IS
UNDEREXPOSED
FIELD OF VIEW THAT CAPTURES THE SUBJECT FROM THE CHEST UP OFTEN USED IN INTERVIEWS.
MEDIUM CLOSE UP
Positioning your main subject so it's framed by something else within the scene.
FRAME WITHIN A FRAME
WHEN TOO MUCH LIGHT TRAVELS THROUGH THE LENS LEAVING THE PICTURE TOO BRIGHT
OVEREXPOSED