Color Theory
Color Theory Pt. 2
Products & Formulations
Makeup Brushes
Products, Tools, & Supplies
100

Cannot be obtained from a mixture.

Primary colors

100

White added to a pure hue.

Tint

100

Used to even out skin tone and color, conceal imperfections, and protect skin from outside elements.

Foundation

100

The most durable handle.

Hard wood

100

Used to blend foundation, concealer, and powder.

Sponges

200

Obtained by mixing equal parts of 2 primary colors. 

Secondary colors

200

Have yellow undertone and range from yellow and gold through oranges, red-oranges, most reds, and some yellow-greens. 

Warm colors

200

Liquid or silicone-based formulas designed to go underneath foundation.

Primers

200

Either natural or animal. 

Bristles

200

Used to apply mascara. 

Wand

300

Formed by mixing equal amounts of a primary color and it's neighboring secondary color. 

Tertiary colors

300

Adding gray to a pure hue. 

Tone

300

Heavy makeup used for theatrical purposes. 

Greasepaint

300

Short brushes with dense bristles for powder or blush.

Kabuki brush

300

Separates lashes; metal works best.

Lash comb

400

When mixed, they cancel each other out. 

Complementary colors

400

The brightness of a color is how light or dark it is. 

Value

400

Includes titanium dioxide, zinc oxide, mica, silica, and magnesium stearate. 

Mineral makeup

400

Similar to the concealer brush, but smaller and with a more tapered, rounded edge.

Lip brush

400

Used for blotting lipstick or powder.

Tissue

500

The actual color we see that distinguishes red from yellow from blue. 

Hue

500

Have a blue undertone and are dominated by blues, greens, violets, and blue-reds. 

Cool colors

500

Powder is the most common form.

Blush

500

Firm, thin bristles; angled for use on the eyebrows or for eyeliner.

Angle brow brush

500

Used to fix mistakes, useful for blending under the eye. 

Cotton swabs