300
Manet’s Olympia horrified contemporary critics as well as the public because
a. the central figure was a prostitute, which was new in art history
b. the inclusion of a black woman was bold and experimental
c. it relied on the Renaissance view of formal composition, and that was deemed outdated
d. it depicted the main figure as shameless and defiant in her role
What is depicted the main figure as shameless and defiant in her role