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CH 6/8
CH 6/8
CH 6/8
CH 6/8
CH 6/8
100
the study of symbolic visual systems
ICONOGRAPHY
100
A fixed generalization based on a preconveption
STEREOTYPE
100
An overused expression or a predictable visual treatment of an idea.
CLICHE
100
To choose the style, iconography, and composition that is best suited to your purpose.
PURPOSE AND INTENT
100
FREEBEE!
YOU GET CANDY
200
A figure of speech in which one thing is linked to another dissimilar thing using the word "like" or "as".
SIMILE
200
A figure of speech in which one thing is directly linked to another dissimilar thing.
METAPHORE
200
Most creative people have a wide range of interests. The very best artists and designers are often accomplished in more than one field. According to the statement above, Artists should keep an ___________ _____________?
OPEN MIND
200
A chemical or action used to induce insensitivity or unconsciousness.
ANESTHETIC
200
A postmodern practice in which one artist reproduces an image created by another and claims it as his or her own
APPROPRIATION
300
The use of metaphors or analogies to create visual or verbal bridges.
METAPHORICAL THINKING
300
Figures of speech that link one thing to another. Includes Analogies, Similes, and Metaphores
CONNECTIONS
300
A postmodern practice in which an accumulation of multiple (often contradictory) visual layers is used to create a single artwork.
LAYERING
300
1: The physical manifestation of an idea, as opposed to the content, which refers to the idea itself 2: The organization or arrangement of visual elements to create a unified design. 3: A 3D composition or unit within a 3D composition.
FORM
300
A postmodern practice in which the meaning of an image or object is changed by the context in which it is placed.
RE-CONTEXTUALIZATION
400
The creation of artworks using disparate media to create a unified conceptual.
HYBRIDITY
400
A shift in a stereotype of cliche upsets out expectations and challenges our assumptions. Results is..
SURPRISE
400
Emphasizes the extent to which today's artists and designers seek solutions that challenge or exceed modernism.
POSTMODERNISM
400
The study of human responses to beauty
AESTHETICS
400
Regardless the medium used or the message conveyed, all communication can be strengthened through _________ delivery
DRAMATIC (DRAMA)
500
CONVERGENT THINKING: involves the pursuit of a predetermined goal, usually in a linear progression and using hightly focusd problem solving Technique. What are the 6 steps of Convergent Thinking? (Hint: PROSE)
1. Define the PROBLEM 2. Do RESEARCH 3. Determine your OBJECTIVE 4. Devise a STRATEGY 5. EXECUTE the strategy 6. EVALUATE the results
500
THUMBNAIL SKETCHES - to begin a piece of work, start on 1.5*2 in. in size. MODEL MAKING - one or more full size rough sketches - to see how design looks when enlarged. VARIATION OF THEME - most artists do many variations of a given idea before moving to a new subject.
VISUAL RESEARCH
500
Open ended process; Specific results are hard to predict; the means determines the end.
DIVERGENT THINKING: Most effective when: 1. The problem definition is elusive or evolving 2. A rational solution is not required 3. A methodical approach is unnecessary 4. Deadlines are fleible
500
____________ plays an important role in both convergent and divergent thinking. It is a great way to expand ideas, see connections, and explore implications.
BRAINSTORMING: Common Strategies of Brainstorming: 1. Make a list 2. Use a thesaurus 3. Explore connections 4. Keep a journal 5. Collaborative Creativity
500
1. THE FINE ART PROCESS - process of solving the problem 2. SOURCES OF IDEAS - Transform common objects, Study Nature, Visit a Museum 3. CHARACTERISTICS OF A GOOD PROBLEM - Significant, Socially Responsible, Open to Experimentation, Ambitious yet Achievable, and Authentic These are a all part of _______________.
"The Problem" Problem Seeking and Problem Solving