Symbolism and Theme
Stories within Stories, Structure, Suspension of Disbelief
Style
Suspense and Tension
Subtlety, Texture, and Stream of Consciousness
100

True or False: You have to create a story with a specific theme in mind.

What is false?

(Theme)

100

Characters talk to each other by  __________.

What is telling stories.


(Stories within Stories)

100

Style can reveal an author’s ______.

What is prejudices?

 (Style)

100

The way you make your audience worry.

What is suspense?

(Suspense)

100

The goal of subtlety.

What is to make readers pay close attention?

(Subtlety)

200

Traditional symbols can seem like these.


What are clichés?

 (Symbolism)

200

DAILY DOUBLE: It harder to make a complex structure in longer stories because of this.

What is there are more things to worry about and it takes more time?

(Structure)

200

Style sometimes has more to do with individual words and sentences than entire ______.

What is chapters and books?

(Style)

200

Tension is created by this.


What is conflict?

(Tension)

200

What should you do to create simultaneous brain activity?

 What is to break up syntax?

 (Stream of Consciousness)

300

When critics use the word theme, they generally mean this.

What is the idea or point of a work?

(Theme)

300

Why might you want to avoid including long anecdotes in stories?


What is that readers may get annoyed that it is not the real story?

(Stories within Stories)

300

Opening sentences should do this.

What is attract readers?

(Style)

300

This makes readers feel suspense better.

What is connection with the character?

(Suspense)

300

Stream of consciousness writing gives readers the most ____ knowledge.

What is intimate?

(Stream of Consciousness)

400

True or False: Symbols should be subtly coded into your writing.

What is false?

(Symbolism)

400

Structure is ______. Provide an example.

What is the overall design of a work?

+ Valid Example

(Structure)

400

Three things that can contribute to style.

What are word choice, sentence structure, sentence length, paragraph style, descriptions, perceptions, focuses, rhetorical devices, and rhythm?

(Style)

400

These two types of writing depend on suspense.

What is comic writing and serious writing?

(Suspense)

400

One thing that can influence texture.

What is word choice, density of detail, complexity of imagery, character’s thoughts?

(Texture)

500

This is a symbol that would not work in a story to convey someone’s dissatisfaction with technology.

What is something obscure and hard to understand?

 (Symbolism)

500

Explain how to following line relates to suspension of disbelief: Even magic has its rules.

What is that you can suspend disbelief, but you must keep things within the premises of your story?

(Suspension of Disbelief)

500

Washington wrote this opening for his story and tried to make it sound fancy. “It was a dark and tempestuous evening. Not a soul slept in peace. For the very wind and rain tormented them. ‘Woe is me! Woe is me!’ cried the college student.” A problem with Washington’s word choice might be:

What is that Washington appears to be imitating the style of other writers?

(Style)

500

In a lot of serious fiction, the conflicts are these two things.


What is psychological and philosophical?

(Tension)

500

DAILY DOUBLE: You should aim to make your readers do this when reading to give more depth to your story?

What is to assume things when reading rather than be told literally?

(Subtlety)