These 2 voices are most commonly written on the treble clef.
Soprano and Alto
This is the general range of a first-grade singer.
C4-D5
Tenor/bass singers should continue to utilize this part of their voice throughout adolescence.
Pure upper register
These 2 voices are most commonly written in the bass clef.
Tenor and bass
This is the size of an infant larynx as compared to an adult larynx.
Infant is 1/3 size of adult
This voice sits between soprano and alto.
Mezzo
A third-grade singer can usually sing comfortably within this tessitura.
D4-C5
Singers on the verge of pubertal voice change will often demonstrate this noticeable difference.
Change in the speaking voice
This voice sits between/part of tenor and bass.
Baritone
As an infant matures into early childhood, the larynx changes in these ways.
11 to 13
A tenor/bass singer experiencing the cambiata stage can usually access this general range and tessitura.
Range: F3-C5
Tessitura: A3-A4
Vocal development tends to peak in these grades.
5th, 6th, 7th
Tenor/bass singers begin to change or transition from the child voice during this age range.
7th grade (12-13)
The tenor/bass larynx changes shape during puberty in these ways.
It thickens and grows and has an anterior protrusion at the thyroid notch.
14-16
These are the general ranges of a fully-changed soprano 2 and alto 1.
S2: C4-G5
A1: A3-E5
Changing voices should be encouraged to sing in ways that utilize these muscles.
CT and TA muscles
Most tenor/bass singers settle into the post-pubertal voice during this age range.
8th grade (13-14)
These are the potential lengths of the vocal folds after voice change. (Give both measurements.)
M: 1.6 cm
F: 1 cm
Treble singers tend to experience these 4 stages during voice change.
Stage 1: Prepubertal Stage
2A: Pubescence Stage
2B: Puberty Stabe
3:Young Adult
These are the general ranges of the newly-changed baritone and a high school bass 1 (baritone).
New: G2-C4
HS: G2-D4
Effective repertoire for changing voices often uses this voicing.
Mixed voices
These are the 2 primary transitions that tenor/bass singers tend to experience during voice change.
First: Cambiata
Second: Baritone
During childhood, the laryngeal anatomy experiences this primary change.
Cricoid cartilage descends from level of C4 vertebra to level of C6