Drama Basics
Improv
Actor's Voice
Expression & Emotion
Challenge
100

What is drama?

Drama is creating and performing characters, situations and stories for an audience.

100

What does improvisation mean?

Improvisation means creating and performing something without a prepared script.

100

What does improvisation mean?Name the four parts of an actor’s voice we learned about.

Tone, pitch, pace and volume.

100

Name one way an actor can show an emotion without speaking.

 volume.E.g. facial expression, gesture, posture, movement or body language.

100

Show a confident character using only your body.

Look for: upright posture, purposeful movement, head up, eye contact.

200

Name three tools actors can use to communicate meaning.

Any three: voice, facial expression, movement, gesture, posture/body language.

200

True or false: In improvisation, you should plan and memorise exactly what you will say.

False. Improvisation involves responding and creating in the moment rather than memorising a script.

200

What does volume mean?

Volume is how loud or quiet your voice is.

200

How could you show that your character is nervous without saying “I’m nervous”?

E.g. fidgeting, avoiding eye contact, tense posture, hesitant movements or worried facial expressions.

200

Say “What are you doing here?” as though you are angry.

Look for: appropriate tone, volume and expression to communicate anger.

300

What makes a character or performance believable? Give two examples.

E.g. staying in character, using appropriate voice, facial expressions, movement and responding naturally to others.

300

Your partner introduces a new idea during an improvised scene. What should you do?

Accept their idea and build on it rather than stopping or rejecting the scene.

300

Explain the difference between pitch and pace.

Pitch = how high or low your voice sounds. Pace = how quickly or slowly you speak.

300

Why are facial expressions important in drama?

They help the audience understand a character's feelings, reactions and intentions.

300

Say “Oh, that’s good” in a way that makes it sound like you actually think it is bad.

Look for: tone/expression that contradicts the literal meaning of the words.

400

Why is it important for an actor to stay in character?

Staying in character makes the scene believable and helps the audience understand the character and story.

400

Name three things that make improvisation successful.

E.g. listen carefully, accept ideas, build on ideas, stay in character, respond naturally and keep the scene moving.

400

How might you change your pitch, pace and volume to play an excited character?

E.g. higher pitch, faster pace and louder volume could communicate excitement.

400

How can the same words communicate different meanings?

Changing tone, pitch, pace, volume and facial expression can change the meaning of the same words.

400

Perform the same sentence twice, changing your voice so it has two completely different meanings.

Students should make the same sentence communicate two clearly different emotions or meanings.

500

An actor has memorised all their lines but their performance still isn't believable. What could they change and why?

They could improve their voice, facial expressions, gestures, movement and reactions to other characters so the performance feels more believable.

500

During an improvised scene, your partner says something you weren't expecting. How could you keep the scene going successfully?

Listen, accept what their partner has introduced, respond in character and build on the new idea to keep the scene moving.

500

You are playing a character who is scared but trying to hide it. How could you use your voice to show this?

E.g. slightly shaky or hesitant tone, changing pace, quieter volume or pauses — while trying not to make the fear too obvious.

500

Without using the word itself, demonstrate an emotion. Your team must identify it and explain the clues you used.

The class should identify the emotion and justify it using clues such as facial expression, posture, gesture, movement and/or voice.

500

Say “I can’t believe you did that!” as though you are shocked, then say it again as though you are angry.


Students should clearly change their tone, pitch, pace, volume and facial expression to communicate the two different emotions.