1
2
3
4
5
6
7
8
9
10
11
12
100

A story or poem in which characters, settings, and events stand for other people, events, or abstract ideas or qualities.

Allegory

100

Attributing human characteristics to an animal or inanimate object.

Anthropomorphism

100

A character with only one or two traits, often summed up in a single phrase.

Flat Character

100

Two consecutive rhyming lines of poetry.

Couplet

100

A form of argumentation that relies more on emotional appeals than on facts.

Persuasion

100

The use of hints or clues to suggest what will happen later in the story.

Foreshadowing

100

Writing that emphasizes the customs, dialect, and setting of a particular region.

Local Color

100

The use of words whose sounds echo their meaning.

Onomatopoeia

100

The point of highest tension or turning point in a story.

Climax

100

The pattern of stressed and unstressed syllables in language.

Rhythm

100

The ability to write with varied and complex sentence structures.

Syntactic Fluency

100

An early 20th-century movement known for experimental styles and forms.

Modernism

200

The repetition of the same or similar consonant sounds in words that are close together.  

Alliteration

200

A brief, cleverly worded statement that makes a wise observation about life or truth.

Aphorism

200

A character with more complex and fully developed traits, like a real person.

Round Character

200

A way of speaking that reflects a particular region or social group.

Dialect

200

A form of persuasion that appeals mainly to reason rather than emotion.

Argument

200

Poetry that does not follow a regular meter or rhyme scheme.

Free Verse

200

A sentence where the main clause comes first, followed by additional details.

Loose Sentence

200

A phrase that combines contradictory terms, like 'jumbo shrimp'.

Oxymoron

200

The conclusion where conflicts are settled.

Resolution

200

The art of effective and persuasive communication.

Rhetoric

200

Very complex sentence structures that are often difficult to follow.

Syntactic Permutation

200

A 19th-century movement that portrayed life with exact realism.

Naturalism

300

A reference to someone or something known from history, literature, religion, politics, sports, science, or culture.

Allusion

300

Calling out to an imaginary, dead, or absent person, or to a place, thing, or personified idea.

Apostrophe

300

A rhetorical balance in which the second part of a sentence or phrase is reversed in structure from the first.

Chiasmus

300

A writer or speaker’s choice of words.

Diction

300

A type of argumentation in which one thing is shown to result from another.

Causal Relationship

300

An exaggerated statement used for emphasis or effect.

Hyperbole

300

A poem that expresses the personal thoughts or feelings of the speaker rather than telling a story.

Lyric Poem

300

A short story that teaches a moral lesson about life.

Parable

300

The perspective from which a story is told.

Point of View

300

A question asked for effect, not to be answered.

Rhetorical Question

300

An exaggerated, humorous story that is clearly unbelievable.

Tall Tale

300

A writing style that emphasizes simplicity and clarity, often used by Puritans.

Plain Style

400

When a work deliberately suggests two or more different and conflicting meanings.

Ambiguity

400

The placement of two or more coordinate elements side by side, with the latter explaining or modifying the first.

Apposition

400

An overused word or phrase that has lost its original impact.

Cliché

400

Writing intended to teach a lesson, moral, or proper behavior.

Didactic

400

Writing that uses language to create a mood or emotion.

Description

400

A sentence style that uses connecting words to show relationships between clauses.

Hypotactic

400

A comparison between two unlike things without using like or as.

Metaphor

400

A statement that seems contradictory but reveals a truth.

Paradox

400

When the narrator is a character in the story.

First Person Point of View

400

A story in which an idealized hero or heroine undertakes a quest and succeeds.

Romance

400

A very short sentence, usually fewer than five words.

Telegraphic Sentence

400

A style of early American writing focused on religious obedience and moral themes.

Puritanism

500

A comparison made between two things to show how they are alike.

Analogy

500

The repetition of similar vowel sounds followed by different consonant sounds in words that are close together.

Assonance

500

An informal word or phrase used in everyday conversation but not suitable for formal writing.

Colloquialism

500

A poem of mourning, usually about someone who has died.

Elegy

500

Writing that explains, defines, or “sets forth” information.

Exposition

500

The use of language to evoke a picture or sensory experience.

Imagery

500

A metaphor that suggests the comparison without directly stating it.

Implied Metaphor

500

Repetition of words or phrases with similar grammatical structures.

Parallel Structure

500

When the narrator focuses on one character’s thoughts and feelings.

Third Person Limited Point of View

500

Writing that ridicules people or institutions to inspire change.

Satire

500

The underlying insight about human life revealed in a literary work.

Theme

500

A 17th-century movement emphasizing reason over tradition or religious authority.

Rationalism

600

The repetition of a word, phrase, or clause at the beginning of two or more sentences in a row. 

Anaphora

600

The omission of conjunctions between words or phrases in a series, using only commas.

Asyndeton

600

A story that ends with a happy resolution for the main characters.

Comedy

600

Repetition of a word or phrase at both the beginning and the end of a line, clause, or sentence.  

Epanalepsis

600

Writing that tells a series of events.

Narrative

600

The reversal of normal word order in a sentence or phrase.

Inversion

600

A metaphor that is developed over several lines or throughout a work.

Extended Metaphor

600

A sentence style that simply places clauses next to one another.

Paratactic Sentence

600

When an all-knowing narrator tells the story.

Omniscient Point of View

600

A comparison between two unlike things using 'like' or 'as'.

Simile

600

The attitude a writer takes toward the subject, characters, or audience.

Tone

600

A literary style that attempts to depict life accurately without idealizing it.

Realism

700

The inversion of the usual, normal, or logical order of the parts of a sentence for rhythm or emphasis.

Anastrophe

700

Constructing a sentence so that both halves are about the same length and importance.

Balance

700

An elaborate or unusual metaphor comparing two very different things.

Conceit

700

A long narrative poem about the heroic deeds of a character who embodies the values of a culture.

Epic

700

The act of analyzing and interpreting the meaning of a text, often through close reading.

Explication

700

A discrepancy between appearances and reality.

Irony

700

A metaphor that has been used so often it no longer feels vivid.

Dead Metaphor

700

A work that humorously imitates another by copying its style.

Parody

700

When the narrator tells the story without personal commentary.

Objective Point of View

700

A long speech made by a character alone on stage.

Soliloquy

700

A story in which a heroic character meets an unhappy or disastrous end.

Tragedy

700

Literature that emphasizes specific geographic settings and speech patterns.

Regionalism

800

A brief story told to illustrate a point or show the character of an individual.

Anecdote

800

The process by which a writer reveals the personality of a character.

Characterization

800

Poetry that uses intimate details from the poet’s own life.

Confessional Poetry

800

A quotation or aphorism at the beginning of a literary work that suggests its theme.

Epigraph

800

A very short story that teaches a practical lesson about life.

Fable

800

When someone says one thing but means another.

Verbal Irony

800

A confusing metaphor that combines incompatible images.

Mixed Metaphor

800

A sentence that places the main idea at the end.

Periodic Sentence

800

Using many conjunctions between words or phrases in a series.

Polysyndeton

800

A fixed, oversimplified idea of a character or group.

Stereotype 

800

A sentence with three parts of equal length and importance.

Tricolon

800

A movement reacting against rationalism, emphasizing emotion and imagination.

Romanticism

900

The opponent who struggles against or blocks the hero in a story.

Antagonist

900

When the author reveals a character through actions, appearance, speech, thoughts, or the reactions of others.

Indirect Characterization

900

The struggle between opposing forces or characters in a story.

Conflict

900

Repetition of a word or phrase at the end of successive clauses or sentences.

Epistrophe

900

A type of comedy involving exaggerated, ridiculous characters in silly situations.

Farce

900

When there is a difference between what is expected to happen and what actually happens.

Situational Irony

900

A figure of speech in which something is referred to by something closely associated with it.

Metonymy

900

Giving human qualities to objects, animals, or ideas.

Personification

900

The central character who drives the action of the story.

Protagonist

900

Writing that portrays the continuous flow of a character’s thoughts.

Stream of Consciousness

900

A statement that intentionally says less than what is true.

Understatement

900

A 20th-century movement seeking to express the unconscious mind over reality.

Surrealism

1000

The repetition of words in successive clauses in reverse grammatical order.  

Antimetabole

1000

When the author directly tells the reader what the character is like.

Direct Characterization

1000

A struggle between a character and an outside force such as another person, nature, society, or a machine.

External Conflict

1000

A descriptive adjective or phrase frequently used to emphasize a characteristic quality.

Epithet

1000

Language that is not literal and uses figures of speech like similes or metaphors.

Figurative Language

1000

When the audience knows something a character does not.

Dramatic Irony

1000

The atmosphere created by a writer’s word choice and details.

Mood

1000

The sequence of related events that make up a story.

Plot

1000

A play on words that relies on multiple meanings or similar sounds.

Pun

1000

A feeling of curiosity or uncertainty about what will happen next.

Suspense

1000

The quality of a work in which all parts contribute to one central idea.

Unity

1000

A 19th-century French movement using symbols to reveal deeper truths.

Symbolism

1100

The balancing of strongly contrasting words, phrases, or ideas, often by using grammatical structure.

Antithesis

1100

A character who does not change much throughout the story.

Static Character

1100

A struggle within a character’s own mind between opposing desires or beliefs

Internal Conflict

1100

A short nonfiction work that discusses some aspect of a subject.

Essay

1100

A scene that interrupts the story’s chronological order to show something from the past.

Flashback

1100

Placing unassociated ideas, words, or phrases next to one another to create surprise or contrast.

Juxtaposition

1100

A recurring element such as an image, phrase, or idea that unifies a work.

Motif

1100

The introduction of characters, setting, and situation.

Exposition

1100

A stanza or poem of four lines.

Quatrain

1100

A person, object, or event that represents more than itself.

Symbol

1100

The everyday language spoken by people in a specific region.

Vernacular

1100

A 19th-century movement emphasizing spiritual intuition beyond reason and experience.

Transcendentalism

1200

A central character who lacks the qualities traditionally associated with heroes.

Antihero

1200

A character who changes in some important way as a result of the story’s action.

Dynamic Character

1200

The emotional associations and meanings attached to a word beyond its dictionary definition.

Connotation

1200

A form of writing that uses logic, ethics, and emotional appeals to convince the reader to think or act a certain way.

Argumentation

1200

A character who contrasts with another character to highlight differences.

Foil

1200

A form of understatement that emphasizes the positive by denying the negative.

Litotes

1200

The reasons behind a character’s actions.

Motivation

1200

Events that create complications or build conflict.

Rising Action

1200

A repeated word, phrase, line, or group of lines in a poem.

Refrain

1200

A figure of speech where a part represents the whole.

Synecdoche

1200

A movement in art and literature focused on personal impressions rather than exact reality.

Impressionism