Camera operations
What's the angle?
Crew love
Production
Lighting
100

True or False: 

The camera has to guess what the right exposure should be by evaluating the amount of light that passes through the lens.

True

100

Frames your subject from roughly the chest up

Medium close up

100

As part of the sound department, the main responsibility is to hold the boom mic (a long pole with a microphone attached) near the actors, but out of view of the camera.

Boom Operator

100

What are the 3 stages of production? 

Pre production, Production, Post production 

100

The most basic lighting in film

Three point lighting

200

A way to brighten your photos if you can’t use a longer shutter speed or a wider aperture.

ISO

200

Head and shoulders, enabling you to easily see facial expressions, which gives the audience a better impression of what your characters are thinking and feeling.

Close-up

200

Also known as DP or cinematographer works with the director to design each shot and makes decisions on what lens, filter, and lighting to use to achieve the desired look of the project.

Director of Photography

200

What is the planning stage of production? 

Pre production 

200

The light that registers most prominently in your frame

Key light

300

A hole within a lens, through which light travels into the camera body. I control the depth of field

Aperture

300

From just above the eyebrows to just below the mouth, or even closer: used to emphasize facial expression or to make the subject appear threatening.

Extreme close-up

300

While filming, this person physically controls and moves the camera.

Camera Operator

300

When we gather the crew and film

Production

300

Fill in the shadows of your frame.

Fill light

400

The length of time a camera is open to expose light into the camera sensor. Hint* I am the "eyelid" to the camera

Shutter speed

400

Frames the subject from roughly the knees up. It splits the difference between a full shot and a medium shot.

Medium shot

400

This person's job is to maintain the continuity of the production. They take notes on every shot, keeping track of blocking, props used, and other details to make sure everything is the same from shot to shot.

Script Supervisor

400

This stage is when we edit, add sound, and special effects to raw footage. 

Post production 

400

Gives an edge light to the rear portion of your subject. Often, shot down from a higher angle.

Backlight

500

The process of removing unrealistic color casts, so that objects which appear white in person are rendered white in your photo.

White Balance (WB)

500

This refers to how much of the shot seems to be in focus, in front of and behind the subject.

Depth of field

500

The lead technician of a production crew and is responsible for all the lighting set-ups for filming.

Gaffer

500

This person pays for the entire production 

Executive Producer 

500

Also known as a filter; it changes the color of the scene to blue, green, red, etc

GEL light