Medium
Style
Pictorial Depth
Style 2
Form
100

This refers to the material or materials from which a work of art is made. Literally anything can be used to make a work of art.

Medium

100

Stylistic traits associated with an individual artist.

Personal Style

100

Partially covered elements are meant to be seen as located behind those covering them.

Overlapping

100

Stylistic traits that persist in a geographic region.

Regional Style

100

It's what we think of when we hear the word color; the terms are interchangeable. We perceive it as a result of differing wavelengths of electromagnetic energy.

Hue

200

A medium that involves the rendering of optical images through a recording of light effects.

Photography

200

A style in which artists use lines as the primary means of definition.

Linear Style

200

Objects in the far distance have less clarity than nearer objects.

Atmospheric Perspective

200

Refers to the common traits of works of art and architecture from a particular historical era.

Period Style

200

The relative degree of lightness or darkness of a given color and is created by the amount of light reflected from an object’s surface.

Value

300

This can be either free-standing or made as a relief. May involve the carving into the surface of a larger whole.

Sculpture

300

A term used for works of art that do not aim to mimic lifelike appearances.

Nonrepresentational / Abstract Style

300

Uses mathematical formulas to construct images in which all of its elements converge in one or more vanishing points on a horizon line.

Linear Perspective

300

A style of representation in which vigorous, evident brushstrokes dominate, and outlines, shadows, and highlights are brushed in freely.

Painterly Style

300

Sometimes referred to as intensity, it's a color’s quality of brightness or dullness.

Saturation

400

This creates enclosures for human activity or habitation. It is three-dimensional, highly spatial, functional, and closely bound with developments in technology and materials.

Architecture

400

Striving to create images of physical perfection according to the prevailing values or tastes of a culture.

Idealization

400

Successively smaller elements are perceived as being progressively farther away than the larger ones.

Diminution

400

When an artist attempts to represent the observable world in a manner that appears to describe its visual appearance accurately.

Realism / Naturalism

400

It's the tactile (or touch-perceived) quality of a surface.  It can be actual, or implied.

Texture

500

Art that involves the application of lines and strokes to a two-dimensional surface or support, most often paper.

Graphic Arts

500

A highly detailed style that seeks to create a convincing illusion of physical reality by describing its visual appearance meticulously.

Illusionism

500

Where forms widen slightly, and imaginary lines diverge as they recede in space.

Divergent Perspective

500

A style in which the artist exaggerates aspects of form to draw out the beholder’s subjective response or to project the artist’s own subjective feelings.

Expressionism

500

It's what contains forms. It may be actual and three-dimensional, or it may be fictional, represented illusionistically in two dimensions.

Space