Poetry I
Poetry II
Literature
Representations
100

A stop or pause in a metrical line, often marked by punctuation or by a grammatical boundary, such as a phrase or clause.

Cesura

100

A rhyming sequence that ends on an unstressed syllable; or, the rhyming of one or more unstressed syllables, such as “dicing” and “enticing.”

Feminine ending

100

The phenomenon of writers who write in an acquired language, or in multiple languages, within the same text.

Translingual

100

A comparison of two things not in terms of likeness

Metaphor

200

A metrical foot containing three syllables, the first two of which are unstressed and the latter of which is stressed

Anapest

200

A line that is metrically incomplete, missing the final syllable or syllables of its expected pattern.

Catalexis

200

It blends a third-person narrator's voice with a character's internal thoughts and subjective feelings, without using direct quotation marks or tags like "he thought"

Free indirect discourse

200

A figure of speech in which a part is used to represent a whole (ex. in Dunbar, Ethiopia stands in for Africa)

Synechdoche

300

A poetic unit of three lines (3-line stanza), rhymed or unrhymed (ex. AAA BBB)

Tercet

300

A pair of metrical feet that is taken as a single unit.

Dipody

300

The coming-of-age novel that traces a trajectory from youth to adulthood, innocence to experience

Bildungsroman

300

An extended metaphor in which the characters, places, and objects in a narrative carry figurative meaning. Often the meaning is religious, moral, or historical in nature.

Allegory

400

The poet Edmund Blunden’s term for double consonance, where different vowels appear within identical consonant pairs. (ex. “groined/groaned”)

Pararhyme
400

A poetic form that catalogues the physical attributes of a subject, usually female. French for “coat-of-arms” or “shield.”

Blason

400

A literary device by which the audience’s or reader’s understanding of events or individuals in a work surpasses that of its characters.

Dramatic Irony

400

The use of words or phrases to refer to a particular time (e.g. then), place (e.g. here), or person (e.g. you) relative to the context of the utterance

Deixis

500

A quatrain that rhymes ABAB and alternates four-stress and three-stress iambic lines (iambic tetrameter and iambic trimeter)

Common meter

500

A poem about a sexual encounter that is terminating at dawn. It later refers to songs sung at dawn. Post coitum omnes tristes.

Aubade

500

A literary form that describes how texts reference or draw upon one another, creating layers of meaning

Intertextuality

500

Two elements placed on either side of each other (“larceny – legacy”) that encode one in the other

Apposition