Historical Horror
PATRIARCHY & POWER
LITERARY DEVICES
Setting and Symbolism
DESCENT INTO MADNESS
100

Answer: This real 19th-century treatment inspired Gilman’s critique of women’s medical oppression. It focused on isolation, exercise, and doing no work at all until one improved. 

Question: What is the Rest Cure?


100

Jane’s husband’s profession makes his oppression especially ironic.

What is physician/doctor?

100

Repetition of “What is one to do?” demonstrates this rhetorical device.

What is epiphora?

100

This room symbolizes Jane’s domestic imprisonment.

What is the nursery?

100

Jane initially sees the wallpaper as merely this.

What is ugly/repellent?

200

Answer: This diagnosis was often weaponized against women experiencing postpartum depression or emotional distress and its root stems from the notion that the uterus in women was what made them unstable, mad, and irrational creatures 

What is hysteria?

200

John frequently calls Jane this, reducing her autonomy through infantilization and reducing her to either an object of animal.

What is “little girl” (or similar pet names)?

200

The wallpaper itself functions primarily as this type of literary device.

What is symbolism?

200

This part of the bedroom represents confinement/imprisonment, turning the room into a prison cell. 

What are the barred windows?

200

Jane eventually believes this is trapped behind the wallpaper.

What is a woman?

300

Answer: Gilman’s story exposes this Victorian social system as the true source of Jane’s suffering as her husband, brother, and all men in a collective form oppress women. 

What is patriarchy?

300

This literary device is present when John, a healer, becomes Jane’s greatest harm.

What is situational irony?

300

Jane’s perspective creates uncertainty through this narrative technique.

What is unreliable narrator/first-person POV?

300

What figure in history could we compare the narrator's experience to if we discussed the nailed-down bed as a representation of how she suffers for all those women who suffer too? 

Who is Jesus?

300

Jane’s obsession with the wallpaper mirrors this psychological process.

What is mental deterioration/descent into insanity?

400

This psychiatrist is alluded to in the story as a threat and was the real life therapist of Charlotte Perkins Gilman.

Who is Weir Mitchell?

400

This action signifies the unnamed narrator finally over powering her husband, using him as a barrier to jump over on her way to control of her own life by embracing who she really is. 

What is crawling over his passed out body?

400

Gilman uses this device when beautiful domestic imagery masks imprisonment as the home's exterior is meant to convey the superficial appearance of her marriage while the inner dwelling of the house, dark, dingy, and empty is a true representation of the partnership between the narrator and John. 

What is extended metaphor?

400

The sun often symbolizes this oppressive force and the power men wield over women, while the moon and night time are much more aligned with the female cycle and power of woman hood. What method is this?

Pathetic Fallacy

400

The short story is told through a series of these rather than the typical narrative structure?

A series of diary entries 

500

This was the specific decade in which the story takes place?

What is the 1890s?
500

At the end, Jane reverses power by referring to John with this infantilizing phrase, signally a reversal in power roles. 

What is “young man”?

500

The sentence reversal in Jane’s final transformation is this device when she says "I pulled and she shook, she shook and I pulled"

What is chiasmus?

500

The moon represents this contrasting force.

What is female freedom/awakening/empowerment?

500

Jane tears down the wallpaper primarily to achieve this.

What is liberation (or perceived liberation)?