Language & Figurative Devices
Structure & Persuasion
Prose & Narrative
Poetry
Visual & Digital
100

A comparison using “like” or “as.”

Simile

100

A question asked for effect rather than because the composer expects an answer.

Rhetorical question

100

A story narrated using “I”, “me” and “my.”

First-person narration

100

Repetition of the same initial consonant sound in nearby words.

Alliteration

100

The element of an image that attracts the viewer's attention first.

Salience

200

Giving human characteristics to something non-human.

Personification

200

Words such as “must” and “will” demonstrate this level of certainty.

High modality

200

Hints or clues suggesting something that will happen later in a narrative.

Foreshadowing

200

When a sentence continues beyond the end of a poetic line without punctuation or a pause.

Enjambment

200

Lines created by gaze, limbs or objects that direct the viewer's attention through an image.

Vectors

300

The feelings or ideas associated with a word beyond its literal meaning.

Connotation

300

“We must work together to protect our future.” Identify the technique created by the pronouns.

Inclusive language

300

Placing two characters, settings or ideas beside one another to emphasise their differences.  

Juxtaposition

300

Poetry without a regular rhyme scheme or metre, often resembling natural speech.

Caesura

300

The arrangement and placement of elements within a visual frame.

Composition/layout

400

A recurring image, object or idea that reinforces a text's central themes.

Motif

400

A discrepancy between what is expected and what actually occurs.

Irony

400

A narrator whose version of events cannot necessarily be trusted.

Unreliable narration

400

Poetry without a regular rhyme scheme or metre, often resembling natural speech.

Free verse

400

The style and arrangement of written text, including its font, size and weight.

Typography

500

A text references, echoes or transforms another text to create an additional layer of meaning.

Intertextuality

500

“You cannot stand by and allow this to continue.” Name TWO techniques operating in this sentence.

Direct address + high modality

500

A third-person narrative is filtered specifically through one character's consciousness. What is this called?

Focalisation

500

Repetition of “s”, “sh” or “z” sounds to create effects such as softness or menace.

Sibilance

500

Video, audio and GIFs integrated into an online text are collectively known as this.

Embedded media