UNIT I
UNIT II
UNIT III - Conventions/Genres
UNIT III - Actors/Directors
UNIT III - Remakes
100

As typically defined, what is the difference between "national" and "transnational" cinema?

National - the cinema of a particular nation; Transnational - across, beyond, through nations

100

As most simply defined, what is the definition of "third cinema"?

The cinema of decolonization

100

Double Points! As most simply defined, what is a cinematic "convention"?

A repeated element of cinema.

100

Other than actors or directors, name two examples of cinematic figures who could be a "movie star"?

Writers, producers, costume designers, DPs, etc.

100

Based on our discussion, define "J-Horror."

Japanese horror with ties to supernatural, Japanese folklore
200

Shaw (2013) offers how many categories of definition for "transnational cinema"?

15

200

Naficy (2001) offers how many categories of "accented cinema," and what are those categories?

3: Exilic, diasporic, ethnic identity

200

Gehlawat (2017) describes the music video-ization of Bollywood films as occurring during which time period and as most noteworthy in which type of song-and-dance sequence?

21st century; end credits

200

DOUBLE POINTS! What is the primary national cinema that actors/directors transfer to for transnational stardom and why?

Hollywood International - transnational dominance

200

What is the difference between a "remake" and a "loose adaptation"?

Remakes are direct citations, loose adaptations may not refer to their originary source

300
What is the definition of "culturally fragrant"?

Something culturally fragrant retains a significant amount of the cultural markers of the nation from which it was produced.

300

DOUBLE POINTS! What is the definition of "diasporic communion"?

Diasporic communion: the affective link of togetherness created by diasporic intertextuality

300

What is the definition of "cultural exchange"?

CE: the giving, receiving, and reuse of cultural materials across and between cultures

300

T/F: Movie stars are inherently made because of their immense talent/"it factor"

FALSE - Stars are constructions

300

TRIPLE POINTS!! What is the central pleasure of multiplicities that is engaged by a transnational remake?

Recreation of entertainment/enjoyment

400

DOUBLE POINTS! Based on our discussion, G.I. Jane is particularly expressive of which of Hollywood International's politics?

Exceptional individualism

400

Describe the difference between citation and allusion.

Citations make direct references to their source text, allusions do so without direct reference.

400

What are the two ways in which genre conventions can be organized?

Repetition, Variation

400

Based on Vincendeau (2017), what are the four types of "-national" stars?

National, international, transnational, cross-regional

400

Name three nations, other than Japan, that are involved in the transnational J-Horror cycle.

Three of: US, UK, Korea, Turkey, Spain

500

THESIS: Describe how Pokémon: The First Movie is a transnational film.

Various.

500

THESIS: Describe how Lemonade is a transnational film.

Various.

500

What are the three ways that national identity is conveyed through genre labels?

Promotion; System as genre; Linguistic markers

500

What are the three factors in determining if an actor/director can be "exportable"?

National star, English-speaking, Participant in globalized capitalism

500

What are the two dominant paths of transnational remake flow?

Hollywood remakes of other national cinemas; National remakes of Hollywood cinema