"Watching" Movies & Meaning
Narrative & Character
Mise-en-scène & Cinematography
Editing & Sound Design
Stars & Auteurs
100

What is the difference between passive and active viewership?

Watching without critical thinking vs. watching with critical thinking.

100

!!DOUBLE POINTS!! Describe the difference between linear and nonlinear.

Arranged in chronological order vs. out of chronological order.

100

What are the four elements of mise-en-scène?

Setting, human figures, lighting, and composition.

100

What is the most basic type of cinematographic transition?

Cut.

100

To what does "auteur" translate?

Author

200
What are the four levels of textual analysis?

Content, form, aesthetic, and meaning.

200

Name the three types of character conflicts.

Character v. Character/Self/Force.

200

!!DOUBLE POINTS!! What are the three units of cinematography?

Frame, shot, scene.

200

What is the name of the key editing technique defined as the patterning of film edits to music?

Rhythmic editing.

200

Why is a director most often credited as the "auteur" of a film?

Responsible for a film's vision.

300

What are the four objectives of textual analysis?

Expressive meaning, referential meaning, themes, and politics.

300

What are the three cinematic elements most likely to be non-diegetic?

Score, Credits, Unfigured narrator.

300

What are the four elements of figure design?

Costuming, makeup, hairstyling, and props.

300

Define "foley."

The creation and addition of sound effects to film.

300

!!DOUBLE POINTS!! Describe the differences between name actors and character actors, as well as between typecast and against-type.

Repetition v. variation; cast for repetition v. variation.

400

!!DOUBLE POINTS!! Name the four types of cinematic references. 

Contextual, intratextual, intertextual, and extratextual.

400

What are the three most common types of alternate narrative structures?

Episodic, Multi-Part, Frame.

400

What are the two different ways that cinematographic shot types are typically defined?

By distance from the focal subject or by function.

400

What element of a film's soundtrack is most privileged during mixing and how is that element often manipulated in post?

Dialogue; ADR/Looping.

400

What are the three criteria defined by Andrew Sarris to determine if a director is an auteur.

Technical competence, distinct personality, recurring themes.

500

Name three early cinema pioneers (late-1800s to early-1900s).

Méliès, Lumières, Guy-Blaché, Muybridge, Edison, etc.

500

What are the four cinematic standards of most narrative films?

Cause and effect, character-centric, goal-oriented, resolution.

500

Describe three clips we watched related to either cinematography or mise-en-scène and describe what each exemplified.

Nightmare on Elm Street, Nine, Puss In Boots: The Last Wish, X2, Halloween, The Graduate

500

!!DOUBLE POINTS!! Describe the Kuleshov Effect and the four different shots used in the original video.

Visual associations; "Normal" man, Soup, Baby, Erotic woman.

500

Describe how the theory of structural auteurism could be applied to analyzing star performance.

The codes of an actor could be analyzed. "Jennifer Lopez" v. Jennifer Lopez.