Mise-en-Scene
Cinematography
Editing
Definitions
Miscellaneous
100

The type of lighting characterized by high contrast between areas of shadow and areas of light.

low-key lighting

100

When the camera moves side to side while remaining in a fixed position

A pan

100

The idea that juxtaposing two images together creates a stronger effect than one image by itself. 

The Kuleshov effect

100

The art of creating sound effects for film

Foley art

100

What does Mise-en-Scene mean?

"Putting into the scene"

200

The light of the high-noon sun. 

High key lighting

200

A way to add action to a scene when characters are standing still

The arc shot

200

Splicing together shots from two or more different story events

Crosscutting


200

Turning the camera on its long axis while maintaining direction; a disorienting shot.

The camera roll

200

A type of zoom used for dramatic or comedic effect. 

A Crash zoom

300

Seeing the scene as a three-dimensional space; a space with depth. 

Scene space

300

Zooming in while pulling the camera out, OR zooming out while pushing the camera in. 

The Dolly shot/Dolly zoom

300

The imaginary line which the camera does NOT cross during transitions/shots

The Axis of action OR the 180 degree rule

300

Defined by camera shake and incidental zooms.

Random movement

300

Viewing a shot/film as a two-dimensional space

Screen space

400

Red, orange, and yellow are examples of this

Warm color(s)

400

Moving the camera quickly to focus on two different things within the same shot. 

Whip pan

400

Cutting together scenes based on a similar shape or object

graphic matching

400

The aspect of Mise-En-Scene having to do with where things take place

Setting

400

Viewing a shot/scene as if you were a character.

Point of View (POV) shot

500

These are the parts of the three-point lighting system used by filmmakers

Back light, fill light, and key light.

500

A shot where the human figure is lost or tiny

extreme long shot

500

Presenting an action in such a way that it consumes less time on screen that it does in the story. 

Elliptical editing OR Montage sequence 

500

The term to describe something as existing in the world of the film.

Diegesis, or Diegetic. 

500

The four aspects of camera position

Angle, height, level, and distance