Film Crew
Camera
Plot
Lighting
Literary Devices
100
acquire screenplays for development. They pitch ideas to the TV commissioners to deal with the legal, financial, and marketing aspects of the TV series. They are spokesperson for the production and have the final say.
Executive Producers

100

they show a comprehensive view of the scene.

Long shot

100

refers to the background information the audience needs to know for the world of your story to make sense.

Exposition

100

reduces the lighting ratio in the scene, meaning there's less contrast between the darker tones and the brighter areas.

High key

100

a convention used in drama as a substitution for reality that the audience accepts as real although they know them to be false.

Dramatic

200

They are the overall decision makers and they will come up with story ideas and hire writers or choose and secure rights to scripts.

Producers

200

used to emphasize both the actor and their surroundings by giving them an equal presence on screen.

Medium shot

200

the second of six essential plot elements, which comes right after the opening of a story, otherwise known as the exposition.

Rising Action

200

A lighting technique for film that focuses on accentuating shadows by using hard source lighting in a scene.

Low key

200

is a clash between two opposing forces that creates the narrative thread for a story.

Conflict

300

 reading and editing scripts, directing film crews and actors, and overseeing the production of the final film.

Directors

300

is a type of camera shot size in film and television that adds emotion to a scene.

Close up

300

the high point of the movie where the protagonist, based on the knowledge gained from the rising action, determines what the final action needs to be taken in order to resolve the conflict.

Climax

300

the ratio between the white and the black, or in other words, the light and the dark parts of a scene.

Contrast

300

give audiences a view from a character's perspective by positioning the camera right where the character's eyes would be.

Point of view

400

write and develop screenplays for film or TV drama.

Screen writers

400

is any shot in which the camera physically moves sideways, forward, or backward through the scene.

Tracking

400

refers to the period after the dramatic confrontation of the climax.

Falling Action

400

light that hits an actor or subject from behind, typically higher than the subject it is exposing.

Back Lighting

400

It's a literary device where a writer gives a sneaky hint about what's going to happen later in the story.

Foreshadowing

500

handles the logistics of running the set during production.

Assistant Director

500

These shots allows the operator to follow action very closely, creating a greater sense of immediacy for the audience, and may mimic the movement of a character in point of view shots.

Hand-held

500

The end of the story.

Resolution

500

A lighting technique in which the background of the set is lit to create the illusion of a solid-colored, indistinct background.

Limbo Lighting 

500

when a character says something that is different from what he or she really means

Verbal