Miscellaneous
Theatres
Acting
Directing
Playwriting
100

This is the most important component of theatre; without it, it's just a bunch of jerks playing around onstage.

What is the audience?

100

This type of theatre has the audience on just one side.

What is a proscenium?

100

This person created the first acting technique, and is considered the father of modern-day acting.

Who is Stanislavski?

100

This term stands for the common goal or objective of all characters in a play.

What is the spine of the play?

100

Physical or psychological elements that stand in a character's way.

What are obstacles?

200

Theatre is always about this subject; one of the reasons it's so compelling.

What is human beings?

200

This type of theatre has the audience on three sides.

What is a thrust?

200

This element is the hardest to master; it brings you into the circumstances of the play.

What is concentration?

200

An actor's movement onstage.

What is blocking?

200

A recurring or pervading idea throughout a play.

What is a theme?

300

This is the subconscious expectation set up by the theatre's environment.

What is psychological priming?

300

This type of theatre has the audience on all four sides.

What is an arena?

300

The actors greatest resource; the fuel for it is observation.

What is imagination?

300

This is the director's vision of the play appropriate to the script.

What is the directorial concept?

300

A distinctive feature or dominant idea in a script.

What is a motif?

400

These are two ways we experience theatre.

What is as individuals and as groups?

400

This type of theatre is smaller, more intimate, and has flexible seating.

What is a black box?

400

These elements stand for what a character wants, and how they get what they want; they always go hand in hand.

What are objective and action?

400

This type of director may control all aspects of a script, including the script.

What is an auteur director?

400

The main character of a play, and the character who opposes them.

What are the protagonist and antagonist?

500

This is required by both the audience and the actors; without it, theatre can't happen.

What is imagination?

500

This is the invisible barrier between the actors and the audience.

What is the fourth wall?

500

These are two kinds of daily acting.

What are imitation and role play?

500

This type of director may incorporate gender-blind or color-blind casting in their concept.

What is a post-modern director?

500

An event where opposing forces are at a crucial moment that change the course of the play

What is a crisis?