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Triads
Inversions
Minor
Miscellaneous
Misc. 2
100
When building any quality triad, there is a root, a _____, and a ______.
3rd and 5th
100
In a first inversion triad, the _____ scale degree is on the bottom.
3rd
100
To build a minor scale, we can start on the ___ scale degree of its relative major scale.
6th
100
An open chord has notes that span ________________.
More than an octave
100
When writing a smooth chord progression, this is the position we write a I chord in.

Root position

200
When building a major triad, place a _____ on top of a _____. Or, an interval of a _____ and a ______.
m3, M3, M3, P5
200
In a second inversion triad, the ____ scale degree is on the bottom.
5th
200
To build a minor key, we can think of starting the scale a ____ down from the tonic of its relative minor key.
m3
200
If you have a diminished chord with A as the root, write out the chord symbol.
A with degree sign
200

When writing a smooth chord progression, this is the position we write a IV chord in.

2nd inversion

300
When building a minor triad, place a ____ on top of a ____. It can also be a ____ and a _____.
M3, m3, m3, P5
300
The figured bass numbers for first and second inversion triads are.....
6 and 6/4
300
This minor scale starts on the 6th scale degree of the relative major and includes no accidentals.
Natural Minor
300
If you have an augmented triad with C as the root, write out the chord symbol.
C+
300

When writing a smooth chord progression, this is the position we write a V or V7 chord in.

First inversion

400
A diminished triad is built by placing a ____ on top of a ____.
m3, m3
400
The figured bass inversions for 1st, 2nd, and 3rd inversions of V7 chords are....
6/5, 4/3, and 4/2
400
This minor scale starts on the 6th scale degree of the relative major and includes a raised 7th scale degree, both ascending and descending.
Harmonic Minor
400
In order to write a smooth chord progression, we need to use ___________ of IV and V chords to keep common tones.
Inversions
400

When writing a chord symbol for a chord in inversion, we do this to notate that.

Add a / and the bottom note

500
An augmented triad is built by placing a ____ on top of a ____.
M3, M3
500
If we were to write out the actual figured bass for a root position triad (not assuming anything), what would it be?
5/3
500
This minor scale starts on the 6th scale degree of the relative major and includes a raised 6th and 7th scale degree ascending, but not descending.
Melodic Minor
500
Write the chord symbol for a 1st inversion C Major triad.
C/E
500

Passing and neighboring tones are two types of _________.

Non-harmonic tones