Unit 1
Unit 2
Unit 3
Unit 4
Unit 5
100

Context clue

Other words or phrases in a reading that help to determine the meaning of one word

100

Congealed

changed from a fluid to a solid state; made immobile or paralyzed

100

Extremely difficult to achieve

Arduous

100

Extremely thin and haggard, usually due to suffering or sickness 

Gaunt

100

Deeply moving; inspiring intense emotion

Poignant

200

Implicit 

Something that is no directly stated

200

Buzz, thump, meow, sigh

Onomatopoeia

200

A literary device that creates emphasis by intentionally giving less significance to a situation than it really has, or saying less than is actually true

Understatement

200

Characters in an author’s work can also have attitudes, values, or opinions

Perspective

200

The author’s attitude toward a subject he or she is writing about, as well as the author’s approach to the audience

Tone

300

Prefixes

Part of a word that is attached to the beginning of it that can change the meaning

300

The point of highest tension or intensity; often a turning point or decisive moment in the action

Climax

300

Getting another person review what you wrote 

Peer Review

300

Something that is clearly stated

Explicit

300

Helps the writer think about the ideas and the best way to organize and present them

Outline

400

There with him was his son, a youthful SQUIRE,
A lover and knight bachelor to admire
His locks were curled as if set by a press.
His age was twenty years or so, I guess.
In stature he was of an average height
And blest with great agility and might. ...
His gown was short, his sleeves were long and wide.
And well upon a horse the lad could ride; …

Direct characterization 

400

I

A GENTLE Knight was pricking on the plain,
    Clad in mighty arms and silver shield,
    Wherein old dints of deep wounds did remain,
    The cruel marks of many’a bloody field;
    Yet arms till that time did he never wield:                                        
    His angry steed did chide his foaming bit,
    As much disdaining to the curb to yield:
    Full jolly knight he seemed, and fair did sit,
As one for knightly giusts and fierce encounters fit.

II

And on his breast a bloody Cross he bore,                                            
    The dear remembrance of his dying Lord,
    For whose sweet sake that glorious badge he wore,
    And dead as living ever him ador’d:
    Upon his shield the like was also scor’d,
    For sovereign hope, which in his help he had:                                  
    Right faithful true he was in deed and word,
    But of his cheer did seem too solemn sad;
Yet nothing did he dread, but ever was ydrad.

Archetype 

400

‘O ma’amselle, I cannot tell. How can you ask such shocking questions? But nobody ever saw it come in, or go out of the castle; and it was in one place now, and then the next minute in quite another part of the castle; and then it never spoke, and, if it was alive, what should it do in the castle if it never spoke? Several parts of the castle have never been gone into since, they say, for that very reason.’

Setting Analysis

400

In “The Adventure of the Speckled Band,” Helen comes to Sherlock Holmes for help in solving the mystery of her sister’s death. She no longer can function normally, and it is apparent that she intuitively knows something horrible has happened to her sister. However, she has no idea what exactly happened.

 Ambiguities

400

Plot, Characters, Characterization, Setting, Tone

Elements of a Narrative Text

500

He remained standing at the edge of the pit that the Thing had made for itself, staring at its strange appearance, astonished chiefly at its unusual shape and colour, and dimly perceiving even then some evidence of design in its arrival.

Nuance

500

When characters talk to each other, they explain ideas and events the reader needs to know about.

Dialogue

500

Woman - madame, damsel, gentlewoman

Precise Lannguage

500

In the third stanza, Tennyson purposely uses words like “volley’d,” “thunder’d,” and “storm’d,” which contain connotative and figurative language that adds to the poem’s overall sense of dread and apprehension. 

Imagery

500

Summarizing, Paraphrasing, direct quotation

Types of textual evidence