Bedford Bound
What am I reading?
Period-by-Period
Sula
Naming Names
100

A nuanced and thorough analysis of a text (with emphasis on interrelationships among elements)

Close reading

100

Strangers like you that pictured countenance / The depth and passion of its earnest glance, / But to myself they turned (since none puts by / The curtain I have drawn for you, but I) / And seemed as they would ask me, if they durst, / How such a glance came there

"My Last Duchess"

100

Andrew Marvell, John Donne, Robert Herrick

Early Modern

100

Eve saves three boys from the street and calls them all this name

Dewey

100

Not Victoria; the one from Early Modern times

Queen Elizabeth

200

The evocation of scenes or events that take place at a later point in the story

Prolepsis

200

O Blues!
Swaying to and fro on his rickety stool
He played that sad raggy tune like a musical fool.
Sweet Blues!
Coming from a black man’s soul.
O Blues!

"The Weary Blues"

200

1830-1900, the novel flourished

Victorian

200

Shadrack's response to Sula after she runs to his home following Chicken Little's drowning

Always

200

Tender Button's writer. A modernist.

Gertrude Stein

300

A story that contains another story or stories

Frame story

300

There thou mayst brain him,/Having first seized his books; or with a log/Batter his skull, or paunch him with a stake,/Or cut his weasand with thy knife.

The Tempest

300

1900-1945, and the writers were critical about it

Modernist

300

Hannah dreams of this after asking about Plum

Red bridal gown

300

The one who wrote: "When I do this, I shall wind up my career. My brothers, we will then be revenged for our wrongs, and some little, too, for the wrongs of our poor, bleeding country. We will divide our substance
and spend the rest of our days in peace." 

John Rollin Ridge

400

Episodic in structure, and the low class central character generally lives by his or her wits

Picaresque novel

400

She was completely free of ambition, with no affection for money, property, or things, no greed, no desire to command attention or compliments—no ego. For that reason she felt no compulsion to verify herself—be consistent with herself.

Sula

400

1800-1830, flirtatious affair? We don't know her

Romanticism

400

"But when God looks down, it's the bottom. That's why we call it so. It's the bottom of _____ - the best land there is."

heaven

400

They were on the same side-the winning side!-in WWI and WWII

Great Britain and US

500

It's the front part of the stage, between the
curtain and the orchestra

Proscenium

500

One impulse from a vernal wood/May teach you more of man,/Of moral evil and of good,/Than all the sages can.

"The Tables Turned"

500

1660-1800, commerce, literacy, religious devotion, liberty and rights 

The Long 18th Century (Age of Reason/Enlightenment)

500
How Sula's birthmark is described by the narrator at the beginning of the novel

stemmed rose

500

"having lost but once your prime,
You may forever tarry"

Robert Herrick